Lauren Yanofsky Hates The Holocaust

Lauren Yanofsky doesn't want to be Jewish anymore. Her father, a noted Holocaust historian, keeps giving her Holocaust memoirs to read, and her mother doesn't understand why Lauren hates the idea of Jewish youth camps and family vacations to Holocaust memorials. But when Lauren sees some of her friends, including Jesse, a cute boy she likes, playing Nazi war games, she is faced with a terrible choice: betray her friends or betray her heritage. Told with engaging humor, Lauren Yanofsky Hates the Holocaust isn't simply about making tough moral choices. It's about a smart, funny, passionate girl caught up in the turmoil of bad-hair days, family friction, changing friendships, love, and, yes, the Holocaust.

Lauren, a Jewish teen, struggles when some friends play Nazi war games, her best friend likes the same boy she does, and her family pushes her to embrace her heritage.

Sixteen-year-old Sydney hates to talk (or even think) about sex. She's also fighting a secret battle against depression, and she's sure she'll never have a boyfriend. When her classmate Paul starts texting and sending her nature photos, she is caught off guard by his interest. Always uncomfortable with any talk about sex, Sydney is shocked when her extroverted sister, Abby, announces that she is going to put on The Vagina Monologues at school. Despite her discomfort, Sydney starts to reexamine her relationship with her body, and with Paul. But her depression worsens, and with the help of her friends, her family, a therapist and some medication, she grapples with what she calls the most dangerous thing about sex: female desire.

An estimated 1 in 110 children in the United States has autism spectrum disorder (ASD). Although the public awareness of autism has grown significantly, teens are not as educated about this subject as they should be. When accurately and positively presented, literature has been shown to help the classmates of those with ASD better understand the disorder. Increased familiarity with the subject will, in turn, help foster acceptance. In Autism in Young Adult Novels: An Annotated Bibliography, Marilyn Irwin, Annette Y. Goldsmith, and Rachel Applegate identify and assess teen fiction with autism content. In the first section, the authors analyze how characters with ASD are presented. Where do they live and go to school? Do they have friends? Do they have good relationships with their family? How are they treated by others? The authors also consider whether autism is accurately presented. This discussion is followed by a comprehensive bibliography of books that feature a character identified as being on the autism spectrum. The novels reviewed in this volume date as far back as the late 1960s and include works published in the last few years. As more and more authors of young adult fiction become sensitive to ASD, they are featuring such characters in their novels, creating more realistic works for their readers. This study will help librarians and others collect, choose, evaluate, and use these works to educate young adults.

When Meg’s summer ballet program is canceled and her ballet teacher suggests she attend Camp Dance to learn new dance styles, Meg is devastated. Worse still, her teacher thinks she lacks stage presence and needs to connect more with her audience. At camp, Meg struggles to learn contemporary dance. A girl named Logan, who is jealous of Meg’s ballet technique and her friendship with Nio, a cute contemporary dancer, makes Meg’s life even more difficult. When Meg, Nio and Logan have to work together to create a piece for the final show, arguments threaten to ruin their dance. Unless they are able to overcome their differences, Meg’s time at Camp Dance will have been a disaster from start to finish.

When Meg’s summer ballet program is canceled and her ballet teacher suggests she attend Camp Dance to learn new dance styles, Meg is devastated. Worse still, her teacher thinks she lacks stage presence and needs to connect more with her audience. At camp, Meg struggles to learn contemporary dance. A girl named Logan, who is jealous of Meg’s ballet technique and her friendship with Nio, a cute contemporary dancer, makes Meg’s life even more difficult. When Meg, Nio and Logan have to work together to create a piece for the final show, arguments threaten to ruin their dance. Unless they are able to overcome their differences, Meg’s time at Camp Dance will have been a disaster from start to finish.

Jess finds a secret diary and imagines what it would be like to be a girl who has everything. Will she become so wrapped up in someone else’s life that she misses a chance to create her own? Jess cleans houses to save money for college, because her dad — unemployed and off the wagon yet again — has moved the two of them out of the city into a decrepit borrowed tent and trailer. Jess wavers between anger at her father and fear that poverty and addiction may be her fate, too, and she decides she will do whatever it takes to avoid it. She gets a gig cleaning a gorgeous country home and discovers the trashed bedroom of the teenaged daughter, Quinn. Jess wonders how a girl with a perfect life – private school, horseback riding – could have wrecked such a beautiful room. As she cleans, she finds troubling clues – including, tucked behind the bed, a diary. Gradually Jess learns that Quinn’s life is not what it’s supposed to be. Jess begins to imagine becoming friends with Quinn, and when she begins to write down a new story for Quinn, she risks turning her back on the opportunities that are right in front of her – new friends, new interests, a fresh beginning. Key Text Features biographical note chapters dialogue journal entries