Le Courrier De L Unesco Octobre D Cembre 2020

Au printemps dernier, la crise sanitaire liée à la pandémie de Covid-19 (coronavirus) a mis le monde entier à l’arrêt. Le trafic illicite des biens culturels, lui, n’a pas cessé. Au contraire. Les trafiquants de biens culturels ont profité du relâchement de la surveillance des sites archéologiques et des musées pour se livrer à des fouilles sauvages et des vols, en toute impunité. Les chiffres le montrent : l’attrait pour les mosaïques, les jarres funéraires, les sculptures, les statuettes ou les manuscrits anciens n’a jamais été aussi fort. Cette pression de la demande contribue à alimenter le marché illégal des œuvres d’art et des antiquités qui s’opère désormais en grande partie en ligne, via des plateformes souvent peu regardantes sur la provenance d’origine des objets.

The analysis of UNESCO’s audio-visual archives for their digitization has brought to light a forgotten album of 38 contact sheets and accompanying texts by Magnum photographer, David “Chim” Seymour – a reportage made in 1950 for UNESCO on the fi ght against illiteracy in Italy’s southern region of Calabria. A number of his photographs appeared in the March 1952 issue of UNESCO Courier in an article written by Carlo Levi, who had gained worldwide fame with his novel Christ Stopped at Eboli (1945). L’analyse des archives audio-visuelles de l’UNESCO en vue de leur numérisation a permis de découvrir un album oublié comprenant 38 planches-contact et des textes d’accompagnement du photographe de Magnum David « Chim » Seymour – un reportage réalisé en 1950 pour l’UNESCO sur la bataille contre l’analphabétisme en Calabre, une région du sud de l’Italie. Un certain nombre de ses photographies ont été publiées dans le numéro de mars 1952 du Courrier de l’UNESCO avec un article de Carlo Levi, dont le roman Le Christ s’est arrêté à Eboli (1945) lui avait valu une renommée internationale

In spring 2020, the health crisis linked to the COVID-19 (coronavirus) pandemic brought the whole world to a standstill. But the illicit trafficking of cultural property has not stopped. On the contrary. Traffickers of cultural goods have taken advantage of reduced security at archaeological sites and museums to engage in illegal excavations and thefts, with impunity. The figures prove it: the attraction for mosaics, funerary urns, sculptures, statuettes, or ancient manuscripts has never been greater. The pressure of this demand has helped fuel the illegal market in artworks and antiquities, which now operates largely online – via platforms that often pay scant attention to the original provenance of the objects.

The reduction of inequalities within and between countries stands as a policy goal, and deserves to take centre stage in the design of the Sustainable Development Goals agreed during the Rio+20 Summit in 2012.The 2013 edition of A Planet for Life represents a unique international initiative grounded on conceptual and strategic thinking, and – most importantly – empirical experiments, conducted on five continents and touching on multiple realities. This unprecedented collection of works proposes a solid empirical approach, rather than an ideological one, to inform future debate.The case studies collected in this volume demonstrate the complexity of the new systems required to accommodate each country's specific economic, political and cultural realities. These systems combine technical, financial, legal, fiscal and organizational elements with a great deal of applied expertise, and are articulated within a clear, well-understood, growth- and job-generating development strategy.Inequality reduction does not occur by decree; neither does it automatically arise through economic growth, nor through policies that equalize incomes downward via ill conceived fiscal policies. Inequality reduction involves a collaborative effort that must motivate all concerned parties, one that constitutes a genuine political and social innovation, and one that often runs counter to prevailing political and economic forces.

This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.

This pioneering study charts the one-way traffic of cultural and historical objects during five centuries of European colonialism. Former colonies consider this as a historical injustice that has not been undone.

Combining classic work on radio with innovative research, journalism and biography, Women and Radio offers a variety of approaches to understanding the position of women as producers, presenters and consumers as well as offering guidelines, advice and helpful information for women wanting to work in radio. Women and Radio examines the relationship between radio audiences, technologies and programming and reveals and explains the inequalities experienced by women working in the industry.