Learning To Talk Short Stories

A companion piece to the captivating memoir GIVING UP THE GHOST by the Man Booker-winning author, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood.

A dazzling collection of short stories from the two-time winner of the Booker Prize and #1 New York Times bestselling author of the Wolf Hall trilogy. In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall trilogy, Learning to Talk is a collection of loosely autobiographical stories that locates the transforming moments of a haunted childhood. Absorbing and evocative, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the young narrator, the only way to survive is to get up, get on, get out. In “King Billy Is a Gentleman,” the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. “Curved Is the Line of Beauty" is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In “Third Floor Rising," she watches, amazed, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel illuminates the poignant experiences of childhood that leave each of us forever changed. “A book of her short stories is like a little sweet treat...Mantel’s narrators never tell everything they know, and that’s why they’re worth listening to, carefully.” —USA Today “Her short stories always recognize other potential realities...Even the most straightforward of Mantel’s tales retain a faintly otherworldly air.” —The Washington Post

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

The collection begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' For the child narrator, the only way to survive is to get up, get on, get out. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In Third Floor Rising, she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood

Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.

"Marc Labriola's Dying Behaviour of Cats was chosen as the 2017 Ken Klonsky Award winner because it probes many of the soul's dark corners most of our contemporary authors are afraid to explore. It is a daring and challenging first book by a young author who is sure to find a place in Canadian literature. This book is about a man named Theo Galli has not left his house in seven years. When Hurricane Catalina hits, the streets are flooded and the animals of the city zoo escape. All are captured or killed, except one leopard who takes refuge on Theo's roof. He is caught in an international media circus, with crowds of spectators surrounding his house night and day, all captivated by the omen of a leopard who refuses to leave a rooftop, and the man inside who refuses to come out. The novel also deals with Theo's family struggles. There are also featured recurring references to jazz music, particularly the work of John Coltrane. A central character is also a jazz saxophonist. Another central character is a student of the anthropology of pre-literate civilizations, who offers an extensive anthropological theory in the novella."--

In this deeply moving and life-affirming tale, a mother must nurture her five-year-old son through an unfathomable situation with only the power of their imagination and their boundless capacity to love. Written for the stage by Academy Award® nominee Emma Donoghue, this unique theatrical adaptation featuring songs and music by Kathryn Joseph and director Cora Bissett takes audiences on a richly emotional journey told through ingenious stagecraft, powerhouse performances, and heart-stopping storytelling. Room reaffirms our belief in humanity and the astounding resilience of the human spirit. This updated and revised edition was published to coincide with the Broadway premiere in Spring 2023.