Leaves Of Glass

'That's the way it works in this family. Believe what you wanna believe. Twist this. Ignore the other. That's how we survive.' Steven has always tried to be a good person. He works hard. He looks after his family. But, suddenly, everyone starts accusing him of things. His wife accuses him of being unfaithful. His mother accuses him of being coercive. And his brother, Barry, accuses him of...what exactly? Barry won't say. Or can't. Or perhaps... Steven hasn't done anything at all. Following its critically acclaimed premiere at Soho Theatre in 2007, Philip Ridley's gripping narrative of memory, manipulation, and power – now regarded as a modern classic – returns in a new production by long-time collaborators, Lidless Theatre. This edition was published alongside the production at the Park Theatre, London, in May 2023.

'That's the way it works in this family. Believe what you wanna believe. Twist this. Ignore the other. That's how we survive.' Steven has always tried to be a good person. He works hard. He looks after his family. But, suddenly, everyone starts accusing him of things. His wife accuses him of being unfaithful. His mother accuses him of being coercive. And his brother, Barry, accuses him of...what exactly? Barry won't say. Or can't. Or perhaps... Steven hasn't done anything at all. Following its critically acclaimed premiere at Soho Theatre in 2007, Philip Ridley's gripping narrative of memory, manipulation, and power - now regarded as a modern classic - returns in a new production by long-time collaborators, Lidless Theatre. This edition was published alongside the production at the Park Theatre, London, in May 2023.

Eight authentic leaf designs — white oak, red maple, hickory, and sassafras among them — printed on translucent paper, ready to color.

A story about difference, exclusion, experience, and ultimately the embrace of one's core self, Child of Glass explores the interplay between inner and outer and the journey we have to go on to be at home within ourselves.

KNOCKING FROM INSIDE, BY TIEL AISHA ANSARI, is the journey of the human soul towards the Divine approached through a number of doorways: sorrow, the natural world, and the listening heart. We travel through both real and illusionary lands to (re)join the Beloved at the end of all paths. "When Tiel says 'God' she means it, in all her various ways and fresh poetic stratagems, in these poems in which there are many strata, and in this book which contains many gems." - Daniel Abdal-Hayy Moore

From the National Book Award–winning author of Three Junes, a richly imagined novel that begins just after the sudden death of world-renowned children’s book author Mort Lear, who leaves behind a wholly unexpected will, an idyllic country house, and difficult secrets about a childhood far darker than those of the beloved characters he created for young readers of all ages. Left to grapple with the consequences of his final wishes are Tommy Daulair, his longtime live-in assistant; Merry Galarza, a museum curator betrayed by those wishes; and Nick Greene, a beguiling actor preparing to play Lear in a movie. When Nick pays a visit to Lear’s home, he and Tommy confront what it means to be entrusted with the great writer’s legacy and reputation. Tommy realizes that despite his generous bequest, the man to whom she devoted decades of her life has left her with grave doubts about her past as well as her future. Vivid and gripping, filled with insight and humor, A House Among the Trees is an unforgettable story about friendship and love, artistic ambition, the perils of fame, and the sacrifices made by those who serve the demands of a creative genius.

No Green Berries or Leaves is a collection of autobiographical essays by Paul J. Stankard, recognized widely as one of the world's master glass artists. Stankard is particularly renowned and respected for his flameworked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Stankard was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognized as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Stankard was -- by the 1980s -- recognized as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assumed more prominent influence in the development of educational programs and institutions that celebrated and expanded art in glass. Throughout his life, Stankard also wrestled with, and learned how to succeed in spite of, a learning disability -- dyslexia. No Green Berries or Leaves presents the author's record of his life as a struggling, then highly successful, artist; reveals insights into the challenges he faced as a dyslexic and how he came to understand, then circumvent, his disability; and records his perspectives on the history of the studio glass movement in America as he witnessed and experienced it during the past fifty years. This book will be of value to readers interested in the life of a major American artist and the history of the glass art movement in America, as well as to those looking for an inspirational story of how one man faced, addressed, and outwitted a learning disability and climbed the steep road to success to become a master artist in glass.