Lectures On Poetry

Reproduction of the original: Oxford Lectures on Poetry by A.C Bradley

The End of the Poem contains the fifteen lectures delivered by Paul Muldoon as Oxford Professor of Poetry, from 1999 to 2004. Rather than individual and discrete performances, these lectures form a dazzling set of variations around the sustained theme of 'the end of the poem'. Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems; whether a poem's line-endings are forms of closure (and where this might leave the poem in prose); whether the poem is completed only with the reader's act of understanding; whether revision brings a poem nearer to its ideal ending (when does a poet know when a poem has come to an end?); what is the right true end of poetry, and is the end of the poem the beginning of criticism, including an Arnoldian 'criticism of life'?

From Edith Södergran to Gunnar Ekelöf to Nobel Prize-winning Tomas Tranströmer, Sweden has long been home to a rich and luminous poetic tradition, notable for refreshing openness, striking honesty, and a rare transcendence that seems to spring forth from a keen attention to the natural world. Comprising poems that span the beginnings of Modernism to today, The Star By My Head: Eight Swedish Poets is breathtaking, and internationally acclaimed poets and translators Malena Mörling and Jonas Ellerström offer stark, exquisite translations in this essential bilingual volume. Published in partnership with the Poetry Foundation, The Star By My Head is the premiere American anthology of twentieth- and twenty-first-century Swedish poetry in English translation.

Winner of the Costa Poetry Award • Shortlisted for the T. S. Eliot Award and the Forward Prize “These lyrics…illustrate poetry’s unique ability to shock readers into a renewed awareness of the world.” —Washington Post Falling Awake, winner of the Costa Award for Poetry, “give[s] us the sensation of living alongside the natural world, of being a spectator to the changes that mark our mortality” (Dan Chiasson, The New Yorker). Falling Awake expands on the imagery of fallen soldiers from Homer’s Iliad portrayed in her previous volume, Memorial—defining life as a slowly falling weight, where beings fight against their inevitable end. Oswald reimagines classical figures such as Orpheus and Tithonus alive in an English landscape together with shadows, flies, villagers, dew, crickets—all characterized in tension between the weight of death and their own willpower. FROM “VERTIGO” let me shuffle forward and tell you the two minute life of rain starting right now lips open and lidless cold all-seeing gaze

A Nobel laureate reflects upon poetry's testimony to the events of our tumultuous time.