Lee Friedlander At Work

"In this collection of photographs we see the world of industrial work refracted through the Friedlander lens. Over a period of 16 years he did his own work amongst American workers in locations as diverse as factories, offices, telemarketing centers, and corporate offices. Some of his work gathered here was commissioned by curators, some by corporate CEOs, but all the images re-align the world of work for the rest of us, showing us relationships between objects, people, and places that would escape a less idiosyncratic observer."--BOOK JACKET.

Description: An undated, adjustable dress form. It is made of hard moulded cardboard on metal armature and with a knit covering. There is no brand information or maker's mark.

2011 Updated Reprint. Updated Annually. Taiwan Army Weapon Systems Handbook

"Consisting of photographs taken over the last decade in a majority of the fifty states, [book title] is a vast compendium of the country's eccentricities and obsessions documented at the beginning of the twenty-first century. ... they reveal the photographer's lifelong preoccupation with America's distinctive landscape and his humorous, often revelatory view of the nation from the driver's seat"--Book jacket.

The fourth edition of Nutrition: maintaining and improving health continues to offer wide-ranging coverage of all aspects of nutrition, including: * nutritional assessment * epidemiological and experimental methods used in nutrition research * social aspects of nutrition * the science of food as a source of energy and essential nutritients * variation in nutritional needs and priorities at different stages of the life-cycle * hospital malnutrition * the use of dietary supplementsand functional foods Completely updated, this accessible textbook offers a comprehensive guide to the roles of diet in causing, preventing and even treating chronic disease and maintaining good health. The importance of improving health is a guiding principle throughout the book and is underpinned by health promotion theory. This is essential reading for all nutrition and dietetics students, including those studying nutrition modules as part of food science, catering or health care courses

Known for his unorthodox self-portraits, Lee Friedlander has given us another collection, but this time only in shadow, with The Shadow Knows, a reference to the 1930’s radio show that ended with the line: “Who knows what evil lurks in the hearts of men? The Shadow Knows.” Sometimes Friedlander's shadow is presented as ominous — imposed over another person, sometimes his wife — lending the impression of sneakiness, desire, or possession. Other times it's playful, draped over a cactus or a pile of rocks, turning the photographer into a cartoon character with exaggerated body parts. And sometimes he simply makes himself part of a scene, often where you can make out the camera held up to his eye — the photographer’s version of breaking the fourth wall. One thing is clear throughout the book: his shadow is treated as an honored guest, and Friedlander takes full advantage of the company, tirelessly finding ways of adapting it to his own drama. Historian and curator Rod Slemmons once wrote that Friedlander “provides us with a new visual world in which obstruction, confusion, and accident are the driving forces” — a statement never more evident than in this book. Friedlander, you imagine, has discovered not just the evil and not just in the hearts of men, but something more profound in his own, and in these 101 photographs shows us what it has come to know.

Photographs by Lee Friedlander.

Traffic signs, sandwich boards and posters: Friedlander's portrait of words in the world For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander's photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist's key motifs, Lee Friedlander: Signs presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including The American Monument and America by Car, among others. Illegible or plainspoken, crude or whimsical, Friedlander's signs are an unselfconscious portrait of modern life. Lee Friedlander (born 1934) began photographing in 1948. Among his many monographs are Sticks and Stones, Self-Portrait, Letters from the People, Cherry Blossom Time in Japan and At Work, among others. His work was included in the influential 1967 exhibition New Documents at the Museum of Modern Art, New York, curated by John Szarkowski. Among the most important living photographers, Friedlander is in the collections of museums around the world.