Left Bank

An incandescent group portrait of the midcentury artists and thinkers whose lives, loves, collaborations, and passions were forged against the wartime destruction and postwar rebirth of Paris In this fascinating tour of a celebrated city during one of its most trying, significant, and ultimately triumphant eras, Agnes Poirier unspools the stories of the poets, writers, painters, and philosophers whose lives collided to extraordinary effect between 1940 and 1950. She gives us the human drama behind some of the most celebrated works of the 20th century, from Richard Wright’s Native Son, Simone de Beauvoir's The Second Sex, and James Baldwin's Giovanni's Room to Samuel Beckett's Waiting for Godot and Saul Bellow's Augie March, along with the origin stories of now legendary movements, from Existentialism to the Theatre of the Absurd, New Journalism, bebop, and French feminism. We follow Arthur Koestler and Norman Mailer as young men, peek inside Picasso’s studio, and trail the twists of Camus's Sartre's, and Beauvoir’s epic love stories. We witness the births and deaths of newspapers and literary journals and peer through keyholes to see the first kisses and last nights of many ill-advised bedfellows. At every turn, Poirier deftly hones in on the most compelling and colorful history, without undermining the crucial significance of the era. She brings to life the flawed, visionary Parisians who fell in love and out of it, who infuriated and inspired one another, all while reconfiguring the world's political, intellectual, and creative landscapes. With its balance of clear-eyed historical narrative and irresistible anecdotal charm, Left Bank transports readers to a Paris teeming with passion, drama, and life.

SHORTLISTED FOR THE 2020 WORLD FANTASY AWARD Gods meddle in the fates of men, men play with the fates of gods, and a pretender must be cast down from the throne in this masterful first fantasy novel from Ann Leckie, New York Times bestselling author and winner of the Hugo, Nebula, and Arthur C. Clarke Awards. "Absolutely wonderful. . .utterly brilliant." -- The New York Times Book Review For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained by the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the Raven's tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself. . .and to set in motion a chain of events that could destroy Iraden forever. "It's a delight to read something so different, so wonderful and strange." -- Patrick Rothfuss For more Ann Leckie, check out:Ancillary JusticeAncillary SwordAncillary Mercy Provenance

Photographs by Ed Van der Elsken A new edition of one of the classics of photography by one of the greatest photographers of the twentieth century. Originally published in 1954, and long out of print, this is a facsimile edition of the original and has been printed from the negatives held by the Netherlands Photo Archive. The work focuses on the Left Bank of Paris at the time when the area was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. 200 plates.

Enter the world of Olivier and Madison Malin, glittering inhabitants of Paris's exclusive Left Bank. The Malins' life together with their daughter is the stuff of dreams - and carefully-selected celebrity magazines. Madison is a film star: her beauty, talent and perfect accent hiding her Texan roots, and the fact she's just turned forty. Her husband, Olivier, is the darling of the sophisticated Left Bank: philosopher and media personality, he craves adoration (and is a little too willing to return it). Everything seems perfect - if a touch pretentious - until the moment new English nanny, Anna, appears at the doors of their Rue du Bac apartment. Anna unwittingly sets in motion a chain of events that will endanger their charmed lives - in ways no-one could have foreseen...

This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players—Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts—through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices. "Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."—Naomi Bliven, New Yorker "As an introduction to a period in French history already legendary, The Left Bank is superb."—Michael Dirda, Washington Post Book World "An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."—Christopher Hitchens, New Statesman

A funny, lyrical, and piercingly insightful essay collection about gender and sexuality, by trans writer and artist Cooper Lee Bombardier.

A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR). Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history. "Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.” —NPR “Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts. . . . Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation.” —Publishers Weekly “An inspiration, setting a standard for literary history and feminist criticism that will be difficult to surpass.” —American Literature

Background on the gal oya left bank system and its rehabilitation; The intervention impact assessment model; Results from the impact assessment analysis; Comparison wuth other studies and observations; Evaluation of the importance of exogenous variables; Evaluation of the impacts of rehabilitation.