Left Out In The Rain

“The reading is something like archeology, sifting the layers that have built up over the years to find the source of a familiar voice . . . Left Out in the Rain shows us the footsteps in the wet meadow grass.” —Los Angeles Times “A fascinating case study and verse autobiography of a man who long ago staked his claim as one of America’s finest poets.” —Boston Herald When Gary Snyder was in his twenties working as a forester and logger, one of the old loggers told him, “If you’re gonna work these woods, don’t want nothing that can’t be left out in the rain.” Borrowing the phrase, Left Out in the Rain charts the journeys of the poet from 1947 to 1985. From the mountains and shores of the Pacific Northwest to the city streets of San Francisco, New York, and Kyoto, Snyder’s reflections are as much about the human experience as they are about the environment that encompasses it. Sensual, sardonic, meditative, epigrammatic, formalist—whatever the subject, tone, or structure, these poems all bear the indelible stamp of a master. A villanelle for Finnish folklore, riffs on the neo–formalist poems trendy in the 1950s, a sestina on the philosophical dilemmas of anthropology and linguistics, a transformation of the third century BC Daoist essay “Discourse on Swords” into a satire on contemporary warlike administrations and governments—the experiments in this collection place Snyder among the most diverse of contemporary poets. Left Out in the Rain means to include items carefully chosen to outlast the elements and remain useful for years. In his new preface to this edition, Snyder notes, “This complicated gathering of many poems, tight and loose together is like an understory ecosystem of the Old Growth. It needs rain.” On the wooded coast, eating oysters Looking off toward China and Japan “If you’re gonna work these woods Don’t want nothing That can’t be left out in the rain—”

Sixty-something Southerner MacLaren Yarbrough keeps busy as a county magistrate, a co-owner of Yarbrough’s Feed, Seed and Nursery, and a loving wife and mother. But her penchant for snooping around in other people’s business often lands her up to her neck in murder… In Hopemore, Georgia, good ol’ boy Skye MacDonald lives life large––as a dedicated family man, back-slapping civic leader, and flamboyantly successful owner of a local automobile empire. Very little happens in this cozy town without Skye’s full knowledge and participation. So the whole community is shocked when his body is found in a muddy road, run over by his own car. Judge MacLaren Yarbrough and her husband, Joe Riddley, have known the MacDonalds for years. So they can’t help but get involved in this baffling murder investigation, especially when it produces more questions than answers: Why has Skye’s son skipped town? How many secrets was Skye keeping? And… Who Left That Body in the Rain?

"The Art of Science" presents an invaluable collection of effective and simple activities together with associated creative ideas to introduce and reinforce the teaching of science to infants and lower juniors. Book jacket.

Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. The schemas of reading applied to Sembene's oeuvre (novels, short stories and films) have, in the main, focused either on his militant posture against colonialism, his disenchantment with African leadership, or his infatuation with documenting the past in an attempt to present a balanced and nuanced view of African history. While these studies, unquestionably contribute to a better understanding of his works, they collectively ignore Sembene’s relentless preoccupation with culture in his entire career as a writer and filmmaker. The collection of essays in Sembene and the Politics of Culture sets out to fill that gap as the contributors at once foreground Sembene’s fixation on the centrality of culture in the articulation of the discourse of national consciousness and reevaluate his intellectual and artistic legacy within an overarching framework of African liberation. The contributors critically reassess the ideological underpinnings of Sembene’s thoughts, his role as one of the foundational pillars of African cultural production, and his relevance in current discourses of nationhood. They do so through a wide variety of interdisciplinary approaches that draw on linguistics, feminist theory, film theory, historiography, Marxist criticism, psychoanalysis and a host of other approaches that give novel insights in the critical analysis of the works under study. In the part entitled “Testimonies," a collection of conversations with people who worked closely with Sembene, each of the interlocutors provide illuminating insights into the man's life and work. The variety of themes and critical approaches in this critical anthology will certainly be of interest not only to students and scholars of African literature and cinema at various levels of intellectual and cultural sophistication but also anyone interested in the analysis of the nexus between power, culture, and the discourse of liberation.

Join Mike, Aaron, Dacota, and Sheldon and the always colorful Professor, as they travel through time on one misadventure after another. Live from Atlantis is the second book in the Professor Trilogy. This misadventure takes them to the lost city of Atlantis, where they race through time to try and save it from destruction. Come ride a 200 foot tidal wave, tackle giant octopi, race through oceanic whirlpools, and find out the power of the Emerald Eye and what really happened to Atlantis. Oh, and much much more. Some secrets are only begining to emerge!