Legally His

These two couples may have said "I do" but can they say "I love you"? Mistress to her Husband Kate Vincent is shocked to discover that her new boss is none other than billionaire businessman Sean Howard—her ex-husband. Sean is still smarting over the collapse of their marriage, but when he sees Kate again he realizes the attraction is stronger than ever. Soon Kate's not just sleeping with the boss—she's become mistress to her husband! The Blackmail Baby Imogen had wanted nothing more than to be Dracco Barrington's bride, until a shocking revelation on their wedding day sent her fleeing. Four years later Imogen returns to London, only to receive a shocking offer from Dracco. He will give her one million dollars to be his wife…and another to have his baby! Imogen seems to be getting everything she wants, but at what cost?

Cade Lamonte has a rather unconventional relationship with homicide detective Sidney Connor, meaning it’s on and off, mostly off recently. They usually get together just for sex. When Sidney suddenly contacts Cade after a two-month off period, it seems as though Sidney wants to change the parameters of their relationship. He’s looking to make his relationship with Cade much more on. Cade has been in love with Sidney for a while, so he’s onboard with the change. And it soon becomes obvious to Cade the hunky detective might be looking to for even more permanence. Could Sidney possibly want to make Cade Legally His?

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Charles thought the Moon would be a new beginning. Now, he knows he'll be lucky just to stay alive. Having escaped both an Earth on the verge of global collapse and their squabbling parents in a "divorce" at Geosynchronous Station, a newly independent Charles "Chigger" Dingillian and his two brothers find themselves alone on the Moon with very few prospects. Worse, they are being hunted by ruthless interplanetary corporations who would stop at nothing to come in possession of a memory bar the boys smuggled on board. Totally unsure of who they can trust—if anyone—the three boys must find a way to make it on their own in unfamiliar territory. Only one thing is certain: The Moon is not a safe place to be.

A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.