Legends And Romances Of Brittany Classic Reprint

Excerpt from Legends and Romances of Brittany Connected with Brittany I have relegated to a separate chapter, and I have considered it only fitting to include such of the Jazz's of that rare and human songstress Marie de France as deal with the Breton land. The legends of those sainted men to whom Brittany owes so much will be found in a separate chapter, in collect ing the matter for which I have obtained the kindest assistance from Miss Helen Macleod Scott, who has the preservation of the Celtic spirit so much at heart. I have also included chapters on the interesting theme of the black art in Brittany, as well as on the several species of fays and demons which haunt its moors and forests; nor will the heroic tales of its great warriors and champions be found wanting. To assist the reader to obtain the atmosphere of Brittany and in order that he may read these tales without feeling that he is perusing matter relating to a race of which he is Other wise ignorant, I have afforded him a slight sketch of the Breton environment and historical development, and in an attempt to lighten his passage through the volume I have here and there told a tale in verse, sometimes translated, sometimes original. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A collection of many tales from the folklore of this region. Merlin of King Arthur fame is here as are fairies, goblins and witches of all kinds. There are stories of the Breton saints, Marie de France and Arthurian romances. In addition, there is background on the local traditions, costumes and ways of life.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Herein are 162 folk and fairy tales, customs and traditions of Brittany, France compiled and retold by Lewis Spence. In this volume you will find legends of heroes and Saints, King Arthur, his sword Excalibur and of the Isle of Avalon; as well as ballads, legends and romances of Counts, Dukes, Princes and Kings, tales of their castles, adventures, loves and lovers, sorceresses, wizards plus many, many more. The 162 legends are grouped into 13 sections which are as follows: I - The Land, the People and their Story II - Menhirs and Dolmens III - The Fairies of Brittany IV - Sprites And Demons of Brittany V - World-Tales in Brittany VI - Breton Folk-Tales VII - Popular Legends of Brittany VIII - Hero-Tales of Brittany IX - The Black Art and Its Ministers X - Arthurian Romance in Brittany XI - The Breton Lays of Marie De France XII - The Saints of Brittany XIII - Costumes and Customs of Brittany In typical Spence style we are provided with ample background to the stories which provides valuable insights to the times, although I would not bemoan any young reader who skims over these and goes straight to the legends themselves. The 32 colour and BnW plates by W. Otway Cannell, portrayed in a classic style, are entirely suited to the era from which these tales come. This volume is sure to keep you enchanted for hours, if not because of the quantity, then because of the quality of the tales and legends, which will have you coming back for more. ============ TAGS: folklore, fairy tales, myths, legends, children’s stories, bedtime, fables, romances, Brittany, France, breton tongue, ancient, armoricans, Samson, wax for wine, vision, jud-hael, Taliesin, hervé, blind, nomenoe, alain barbe-torte, norman, poison, hunting-horn, war, two joans, bertrand du Guesclin, ward, du Guesclin, death of marguerite, castle of trogoff, anne, menhirs, dolmens, monuments, legend of dol, subterranean, dolmen chapel, camaret, carnac, mont-saint-michel, rocenaud, cup-and-ring, markings, gallery gavr’inis, ile aux moines, fairy builders, stones that travel, broceliande, korrigan, seigneur of nann, goddess of eld, unbroken vow, merlin, vivien, fountain of baranton, bruno of la montagne, lost daughter, fisherman, changelings, king of the fishes, queen, prince, princess, origins, margots, serve, sprites, demons, nain, crions, courils, gorics, teurst, Nicole, mourioche, ankou, youdic, world-tales, youth, did not know, tronkolaine, starbright, castle of the sun, seigneur , horse's head, bride of satan, baron of jauioz, man of honour, magic rose, norouas, north-west wind, foster-brother, gilles de retz, comorre the cursed, ys, rohan, lady of la garaye, falcon, marquis of guérande, châteaux, la roche-jagu, clisson, josselin, hennebont, largoet, chateaubriand, palaces, past, suscino, lez-breiz, morvan, adventure, king's cavalier, blackamoor, severed head, ballad of bran, fontenelle, return, marriage-girdle, combat, saint-cast, song of the pilot, druidic magic, abelard, Heloise, hymn, nantes, magicians, Arthur, sword, Excalibur, tristrem, tristram, ysonde, isolda, forester, ermonie, moraunt, fytte, minstrel, boon, forest lovers, manuscript, giant, mont-saint-michel, doubting Thomas, dragon, isle of Avalon, were-wolf, superstition, lay of gugemar, laustic, eliduc, equitant, ash-tree, graelent, dolorous knight, st barbe, st convoyon, steal, relics, tivisiau, hepherd saint, st nennocha, st enora, corseul, accursed, st keenan, st Nicholas, st bieuzy, st leonorius, st patern, st Samson, lawyer saint, st budoc, dol, miraculous, crossings, azenor the pale, st pol, léon, st ronan, st goezenou, st winwaloe, gwenaloe, tartarus, paradise

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Romance of the Feudal Chateaux It is to Brittany, in greater part, that we owe the Arthurian legends, for Geoffrey of Mon mouth asserts that he found his material there. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.