Leroy Smith 20th Century Impresario Of Denver S Five Points District

This memoir of a man who was instrumental in shaping the vibrant Five Points neighborhood that is now Denver’s only Historic Cultural District begins with his roots. His parents fled the Jim Crow laws of Texas on an eight-month 1903 wagon train into Indian Territory where Leroy Smith was born in the oldest black town of what had by then become Oklahoma. His personal “Great Migration” began when he walked across the border into Arkansas. Working and vagabonding his way northeast to be rescued when he received a bus ticket from a friend who suggested he come west to Utah for a decent job on the railway. Working the trains, Leroy was drawn to Denver which he had learned was the “Harlem of the West.” There he met Lulu Ann Green, convinced her in a whirlwind courtship to marry and join him as a partner in a tiny shop they rented for ten dollars a month. Leroy bought black newspapers, hair products and vinyl music on his Chicago train runs that Lulu sold to Denver’s fast growing black population. By 1941 Leroy could quit the railroad to create the “Rhythm Record Shop” in a two-story building he purchased in the busy Wellton Street business district known as “The Points.” In 1944 he held his first dance concert which his ingenuity handily saved from disaster and began booking the great names of rock and roll, rhythm and blues, gospel, jazz, etc. to cities in Colorado and surrounding states. Often referred to as “the Mayor of Five Points,” he was known as a cool band leader who sold “race music,” black hair products and quality goods within the “red lines.” Smith was also a gifted sportsman who hunted, fished, and pitched on black baseball teams. He soon added the words “and Sporting Goods” to the already expanded merchandise found in his shop, offering fishing and hunting licenses with gear. He became Colorado’s first black outfitter licensed to sell firearms with his sports equipment. He was named an honorary game warden and—after lobbying for an officer-manned lockup only three doors away—an honorary police officer. An audacious masonic leader, Leroy fought city hall to bring black Shiners to his ingeniously desegregated Denver hotels for conventions. He paid to advertise his ventures on the radio by becoming, his own disc jockey on his midnight “Rockin’ with Leroy” show. His sharp instincts for enterprise and entertainment lifted him into business, cultural, mining, and other endeavors that inspired the diverse neighborhood to action. His political inclinations led him to success in opening the second floor of his building as the Voters Club, a swinging night club with live music and famed visitors which he used to rally African Americans to vote and fight for their American civil rights. All proceeds from sale of this scrapbook of photos, letters and memories are destined solely for the support of Denver’s Black American West Museum & Heritage Center.

This stunning collection of images celebrates the remarkable career of Burnis "Mac" McCloud, Denver's premiere Black photographer between 1950 and 1980. His remarkable photographs, focused on Denver's Five Points community, captured the ordinary lives of African Americans during a period that witnessed the end of Jim Crow segregation and the beginning of the Civil Rights era. Assembled from more than one hundred thousand negatives that McCloud left behind, this collection introduces his creative work to the world beyond the Mile High City. Author William Wyckoff also tells McCloud's life story, revealing the challenges to and vitality of Denver's Black community. At a time when much of what McCloud photographed is being swept away by gentrification and urban change, this collection of images preserves a time and place important not only for Denver but for all of Black America.

A new comedy by the Pulitzer Prize-winning author of Ruined.

From the author of the award-winning Moth Smoke comes a perspective on love, prejudice, and the war on terror that has never been seen in North American literature. At a café table in Lahore, a bearded Pakistani man converses with a suspicious, and possibly armed, American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful meeting. . . Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by Underwood Samson, an elite firm that specializes in the “valuation” of companies ripe for acquisition. He thrives on the energy of New York and the intensity of his work, and his infatuation with regal Erica promises entrée into Manhattan society at the same exalted level once occupied by his own family back in Lahore. For a time, it seems as though nothing will stand in the way of Changez’s meteoric rise to personal and professional success. But in the wake of September 11, he finds his position in his adopted city suddenly overturned, and his budding relationship with Erica eclipsed by the reawakened ghosts of her past. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and perhaps even love. Elegant and compelling, Mohsin Hamid’s second novel is a devastating exploration of our divided and yet ultimately indivisible world. “Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard: I am a lover of America. I noticed that you were looking for something; more than looking, in fact you seemed to be on a mission, and since I am both a native of this city and a speaker of your language, I thought I might offer you my services as a bridge.” —from The Reluctant Fundamentalist

This book investigates the meanings and iconography of the Stampede: an invented tradition that takes over the city of Calgary for ten days every July. Since 1912, archetypal "Cowboys and Indians" are seen again at the chuckwagon races, on the midway, and throughout Calgary. Each essay in this collection examines a facet of the experience – from the images on advertising posters to the ritual of the annual parade. This study of the Calgary Stampede as a social phenomenon reveals the history and sociology of the city of Calgary and a component of the social construction of identity for western Canada as a whole.

The current work provides bibliographic information, a worldwide census, ownership records, and a description of the annotations in all the copies of Vesalius’ Fabrica. It reconstructs the travels of the Fabrica across the globe since 1543 and its annotated readership.

Sitting tall in the saddle, with a wide-brimmed black hat and twin Colt pistols on his belt, Bass Reeves seemed bigger than life. Outlaws feared him. Law-abiding citizens respected him. As a peace officer, he was cunning and fearless. When a lawbreaker he