Let S Be Friends Little Donkey

Snipit, Sammy's pet hamster, escaped his cage and caused much havoc in the house. The action moved to the barn where Sammy carried the cage for cleaning. This story describes the fun and frolic of two very different pets that develop an unlikely friendship.

Do you ever have trouble reconciling the goodness of God with the waiting, doubt, tension, and tragedy you see in the world? Does the voice of doubt ever whisper, What on earth is God doing? Gospel-centered and biblically saturated, Not That God discusses weighty themes in an honest, approachable, and conversational way. Through the lens of John 11 (The Death of Lazarus), Ryan helps us see how God is glorified even in the most unexpected of circumstances. If you have ever had a question about God, wrestled with an aspect of His sovereignty, or simply think you already know all there is to know about God, you may be greatly helped by this book.

Reproduction of the original: Nabul, Our Little Egyptian Cousin by Blanche McManus

Nahuatl drama, one of the most surprising results of the Catholic presence in colonial Mexico, merges medieval European religious theater with the language and performance traditions of the Aztec (Nahua) people of central Mexico. Franciscan missionaries, seeking effective tools for evangelization, fostered this new form of theater after observing the Nahuas’ enthusiasm for elaborate performances. The plays became a controversial component of native Christianity, allowing Nahua performers to present Christian discourse in ways that sometimes effected subtle changes in meaning. The Indians’ enthusiastic embrace of alphabetic writing enabled the use of scripts, but the genre was so unorthodox that Spanish censors prevented the plays’ publication. As a result, colonial Nahuatl drama survives only in scattered manuscripts, most of them anonymous, some of them passed down and recopied over generations. Aztecs on Stage presents accessible English translations of six of these seventeenth- and eighteenth-century Nahuatl plays. All are based on European dramatic traditions, such as the morality and passion plays; indigenous actors played the roles of saints, angels, devils—and even the Virgin Mary and Jesus Christ. Louise M. Burkhart’s engaging introduction places the plays in historical context, while stage directions and annotations in the works provide insight into the Nahuas’ production practices, which often incorporated elaborate sets, props, and special effects including fireworks and music. The translations facilitate classroom readings and performances while retaining significant artistic features of the Nahuatl originals.

Barry D. Sell and Louise M. Burkhart have chosen plays that represent the types of dramas performed in late-colonial Aztec communities and underscore the differences between local religion and church doctrine. Included are a complex epiphany drama from Metepec, two morality plays, two Passion plays, and three history plays that show how Nahuas dramatized Christian legends to reinterpret the Spanish Conquest. Fruits of a performance tradition rooted in sixteenth-century collaborations between Franciscan friars and Nahua students, these plays demonstrate how vigorously Nahuas maintained their traditions of community theater, passing scripts from one town to another and preserving them over many generations. The editors provide new insights into Nahua conceptions of Christianity and of society, gender, and morality in the late colonial period. Their precise transcriptions and first-time English translations make this, along with the previous volumes, an indispensable resource for Mesoamerican scholars.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Novels Five Weeks in a Balloon Journey to the Centre of the Earth From the Earth to the Moon Around the Moon The Adventures of Captain Hatteras In Search of the Castaways Twenty Thousand Leagues Under the Sea A Floating City The Adventures of Three Englishmen and Three Russians in South Africa The Fur Country Around the World in Eighty Days The Mysterious Island The Survivors of the Chancellor Michael Strogoff Hector Servadac The Underground City Dick Sand, A Captain at Fifteen The Begum's Fortune Tribulations of a Chinaman in China The Steam House Eight Hundred Leagues on the Amazon Godfrey Morgan or, The Robinson Crusoe School The Green Ray Mathias Sandorf The Star of the South Ticket No. "9672" Robur the Conqueror The Master of the World The Waif of "Cynthia" North Against South or, Texar's Revenge The Flight to France or, The Memoirs of a Dragoon Kéraban the Inflexible Adrift in Pacific or, Two Years' Vacation Topsy Turvy Cæsar Cascabel Mistress Branican The Castle of the Carpathians Claudius Bombarnac Captain Antifer Facing the Flag An Antarctic Mystery Short Stories A Voyage in a Balloon A Drama in Mexico Master Zacharius A Winter Amid The Ice The Blockade Runners Doctor Ox's Experiment Martin Paz Ascent of Mont Blanc The Mutineers of the Bounty Frritt-Flacc An Express of the Future In The Year 2889 Travel The Exploration of the World The Great Navigators of the 18th Century The Great Explorers of 19th Century Miscellaneous A Chinese Banquet Jules Gabriel Verne (1828-1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.