Let The Dead In

Saida Agostini's first full-length poetry collection, let the dead, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.

This remarkable collection of twelve short stories is about the diverse folk--black and white, young and old, rich and poor, rural and sophisticated--who live in the eastern North Carolina town of Tims Creek. Among the memorable characters are Clarence Pickett, who at age three began receiving messages from beyond the grave and whose gift seems tied to a hog's ability to talk; matronly Ida Perry, haunted by a boy her judge husband may have drowned years before; Dean Williams, hired to seduce the richest black man in Times Creek, yearning after innocence while he betrays love.

A top ten Sunday Times bestselling author From award-winning author Jane Casey comes a powerful crime thriller that will keep you on the edge of your seat until the final page...

TheHolyBibleis thestoryofhowmanbecameachildofGod.ThestorycanonlybetrulyunderstoodbybecomingachildofGod.Toknowthetruth,bethetruth.Youhavetolive God.Itisthisprocessofbecoming somethingthetruththattheBibledealswith.Forbehold,thekingdomofGodiswithinyou!TheBibledealswiththeregenerationofthepowerofGodwithinyou.ForYearedead,andyourlifeishidwithChristinGod(Col. 3:3).

A centuries-old bust of an evil, demonic man was stolen from a New Orleans grave. Its current owner shows up at Danni Cafferty's antiques shop, but before Danni can buy the statue, it disappears and the owner is found dead. Michael Quinn, a private investigator, believes that the right thing to do is to find and destroy this object weighted with malevolent powers. He and Danni follow it through sultry nights to hidden places in the French Quarter and secret ceremonies on abandoned plantations.

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In Gilded Age New York, heiress Prudence MacKenzie and ex-Pinkerton Geoffrey Hunter investigate crimes that take them from the slums of Five Points in lower Manhattan to the Fifth Avenue mansions of society's elite. In the late nineteenth century, women are particularly vulnerable . . . Childbirth can be dangerous even for the wealthy. So when opera singer Claire Buchanan shows Prudence and Geoffrey a postmortem cabinet photograph of her deceased twin sister and newborn niece, they express sadness but not surprise. The popular black-bordered portraits are the era's way of coping with the devastating losses that plague every family. What makes this death different is that Claire is convinced Catherine and her child were murdered. Prudence's friend is haunted by a sense of her sister's lingering presence, and by the conviction that her dead twin is demanding justice. Catherine's widower, Aaron Sorensen, is a cold, controlling man who swiftly remarried. Now his second wife is already pregnant and may be in terrible danger. In order to discover the truth and find evidence of Sorensen's guilt, Geoffrey will delve deep into his past while Prudence casts herself as his next victim—putting her own life at grave risk . . . Praise for Lies that Comfort and Betray “Simpson further develops an admirable heroine who refuses to take refuge in the vapors but doesn’t see that she’s met a match in her partner—though neither does he.” —Kirkus Reviews “Fans of Anne Perry will find Prudence a worthy American cousin to Charlotte Pitt.” —Publishers Weekly

"Casey is a true craftswoman, a writer who beguiles one through the most twisted of plots with a confident and seductive hand. Let The Dead Speak is sharp, complex and gripping to the very end" Alex Marwood, bestselling author of Wicked Girls and The Killer Next Door When eighteen-year-old Chloe Emery returns to her West London home she finds her mother missing, the house covered in blood. Everything points to murder, except for one thing: there’s no sign of the body. London detective Maeve Kerrigan and the homicide team turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter and Chloe Emery definitely have something to hide. Then there’s William Turner, once accused of stabbing a schoolmate and the neighborhood’s favorite criminal. Is he merely a scapegoat, or is there more behind the charismatic façade? As a body fails to materialize, Maeve must piece together a patchwork of testimonies and accusations. Who is lying, and who is not? And soon Maeve starts to realize that not only will the answer lead to Kate Emery, but more lives may hang in the balance. With Let the Dead Speak, Jane Casey returns with another taut, richly drawn novel that will grip readers from the opening pages to the stunning conclusion.

An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.