Let Us Praise

Let Us Praise has sold more than 500,000 copies, and its teaching on praise continues to minister to thousands of believers around the world. Judson Cornwall writes, ''May the ministry of praise that this book teaches find an expression in the Body of Christ far beyond the areas covered in Let Us Praise.'' Praise is an important ministry Praise is vital in every believer's life How should we praise the Lord? What does the Bible teach about praise? Praise focuses our hearts on God - what He has done and who He is.

This portrait of poverty-stricken Southern tenant farmers during the Great Depression has become one of the most influential books of the past century. In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event. Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago. “One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book’s power.” —Library Journal

Sibyl Kempson's Let Us Know Praise Susan Sontag is an irrational musical contemplation of collision of art and journalism.

"An Annotated Edition of the James Agee--Walker Evans Classic, with Supplementary Manuscripts"--Cover

"This collection of essays illuminates a multitude of aspects of James Agee and Walker Evans's Let Us Now Praise Famous Men. Among the seventeen essays are the following: David Moltke-Hansen, "Consider the Ancient Generations: Share-Cropping's Strange Compulsion"; Sara Gardner, "A Southerner in New York: James Agee and Literary Manhattan in the 1930s"; David Madden, "Let Us Now Praise Famous Men Is the Moby-Dick of Nonfiction"; Caroline Blinder, "Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men"; and Jeffrey Couchman, "The Cinematic Eye of James Agee in Let Us Now Praise Famous Men.""--

Providence Canyon State Park, also known as Georgia’s “Little Grand Canyon,” preserves a network of massive erosion gullies allegedly caused by poor farming practices during the nineteenth century. It is a park that protects the scenic results of an environmental disaster. While little known today, Providence Canyon enjoyed a modicum of fame in the 1930s. During that decade, local boosters attempted to have Providence Canyon protected as a national park, insisting that it was natural. At the same time, national and international soil experts and other environmental reformers used Providence Canyon as the apotheosis of human, and particularly southern, land abuse. Let Us Now Praise Famous Gullies uses the unlikely story of Providence Canyon—and the 1930s contest over its origins and meaning—to recount the larger history of dramatic human-induced soil erosion across the South and to highlight the role that the region and its erosive agricultural history played in the rise of soil science and soil conservation in America. More than that, though, the book is a meditation on the ways in which our persistent mental habit of separating nature from culture has stunted our ability to appreciate places like Providence Canyon and to understand the larger history of American conservation.

Winner of the Pulitzer Prize for Nonfiction in 1990 In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of Agee and Evans’s project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee’s fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson’s ninety-part photo essay includes updates alongside Evans’s classic originals. Maharidge and Williamson’s work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.