Letters From Across The Big Divide

Will Rogers once wrote, "Charlie Russell is the only western artist a true cowboy can't find fault with." Rogers also considered Charlie America's best storyteller, cowboy humorist, and sagebrush philosopher. Though Charlie was under-schooled and semi-illiterate, his salty writings still delight readers eight decades after he crossed "the big divide." Richard Bird Baker has long strived to bring Russell's wit, humor, cynicism, and horse sense back to life, depicting Charlie writing letters about current events, trends, and issues in colorful cowboy lingo. This edition is a must for fans of cowboy humor, salty metaphors, and sagebrush philosophy.

Will Rogers wrote, CHARLIE RUSSELL is the only western artist a true cowboy cant find fault with. Rogers also considered Charlie Americas best storyteller, cowboy humorist, and sagebrush philosopher. Though Charlie was under-schooled and semi-literate, his salty Rawhide Rawlins yarns still delight readers eight decades after he crossed the big divide. Richard Bird Baker has long striven to bring Russells wit, humor, cynicism, and horse sense back to life. In this collection of western yarns, Mr. Baker utilizes Charlie Russell as his early-twentieth-century-styled narrator. He depicts Russell telling yarns in Charlies personal style, utilizing ample dry humor expressed in colorful cowboy lingo. These yarns convey many facets of late-nineteenth-century cowboy life, the good times and the hardships, the joys and sorrows, and above all, the humor and good nature of the western folk icon, the American cowboy. This book is a must for fans of cowboy humor, salty western metaphors, and sagebrush philosophy.

Will Rogers wrote, "Charlie Russell is the only author a true cowboy can't find fault with." Rogers also considered Charlie America's best story teller, cowboy humorist, and sagebrush philosopher. Though Charlie was under-schooled and semi-literate, his salty Rawhide Rawlins yarns still delight readers almost nine decades after he "crossed the big divide." Richard Baker has long striven to bring Russell's wit, humor, cynicism, and horse sense back to life. In this collection of Western yarns, Mr. Baker utilizes Charlie Russell as his narrator, depicting Charlie telling yarns in his personal style, utilizing ample dry humor expressed in colorful cowboy lingo. These yarns cover many facets of late-nineteenth-century cowboy life, the good times and the hardships, the joys and sorrows, and above all, the humor and good nature of the western folk icon, the American cowboy. This book is a must for fans of cowboy humor, salty western metaphors, and sagebrush philosophy.

A black minister and a white businessman candidly discuss the obstacles, stereotypes, and sins that inhibit interracial reconciliation. Provocative and honest.

"The publication of translated essays by Dr. Abraham Coralnik is an important step in enlarging our understanding of the cultural milieu of the early twentieth century in which Jewish immigrants from eastern Europe become Americanized."--Professor Eli Katz, University of California, Berkeley In 1937, when the essayist Abraham Coralnik died of a heart attack, Yiddish speakers in the United States lost one of their most articulate guides. As a columnist for the New York newspaper Der Tog (The Day) during the 1920's and 1930's, Coralnik moved effortlessly from discussions of Zionist politics to analyses of Marx and Plato to travelogues through the American heartland. As Europe exploded in anti-Semitism, and American Jewish life continued its spectacular transformation into the land of promise and confusion, Coralnik provided both insight and context for an immigrant community desperate to understand the changes taking place around it. Today, Coralnik's essays can be enjoyed not just for their perspective on two crucial decades of Jewish history, but for their timeless wisdom about culture, spirituality, philosophy and history. In Volume One of Across the Great Divide, Coralnik analyzes a European Jewish community in the process of disintegration, and an American Jewish society on the rise; the politics surrounding the development of pre-state Israel; the broad impact of the Hasidic movement; and the quirky existence of European Jewish refugees in places like Mexico and Cuba. About the Translator: Beatrice Coralnik Papo, the eldest daughter of Abraham Coralnik, was born in Berlin in 1913. Educated in Germany, Russia and France, she came to the U.S. in her early 20s. A social worker by profession, Mrs. Papo is a lifelong student of literature, and has spent the last two decades translating her father's essays. She lives in San Jose, California.

There’s nothing pure about modernism. For all the later critical emphasis upon “medium specificity”, modernist artists in their own times revel in the exchange of motifs and tropes from one kind of art to another; they revel in staging events where different media play crucial roles alongside each other, where different media interfere with each other, to spark new and surprising experiences for their audiences. This intermediality and multi-media activity is the subject of this important collection of essays. The authoritative contributions cover the full historical span of modernism, from its emergence in the early twentieth century to its after-shocks in the 1960s. Studies include Futurism’s struggle to create an art of noise for the modern age; the radical experiments with poetry; painting and ballet staged in Paris in the early 1920s; the relationship of poetry to painting in the work of a neglected Catalan artist in the 1930s; the importance of architecture to new conceptions of performance in 1960s “Happenings”; and the complex exchange between film, music and sadomasochism that characterises Andy Warhol's “Exploding Plastic Inevitable”.

Across the Great Divide tracks a Pacific historian's fruitful, ambivalent engagements with History and Anthropology, anticipating experiments in each discipline with the other's theories and praxis. The revised and new essays comprising this collection provide systematic critiques of aspects of received scholarly wisdom about Oceania and are linked by reflexive commentaries addressing recent postcolonial concerns. A varied but coherent set of ethnographic and historical narratives about colonial encounters in Island Melanesia is informed by particular critical focus on the paradoxes and politics of knowing indigenous pasts through colonial texts.

In the hands of a genius a love letter can become a great, even an immortal work of literature in its own right. Love Letters: Great Literary Romances examines the lives of great writers (John Keats; Franz Kafka; Leonard Woolf), a celebrated composer (Leoš Janácek) and two great lovers of mediaeval Europe (Abelard and Heloise) to see their turbulent and sometimes tormented romantic lives played out in the passionate declarations of love in the letters they wrote.