Letters From Lake Como

This book collects a fascinating series of letters written by theologian-philosopher Romano Guardini in the mid-1920s in which he works out for the first time his sense of the challenges of humanity in a culture increasingly dominated by the machine. With prophetic clarity and unsettling farsightedness, Guardini's letters poignantly capture the personal implications and social challenges of living in the technological age — concerns that have now come to fruition seventy years after they were first raised.

The Hope and Despair of Human Bioenhancement is a virtual dialogue between Transhumanists of the "Oxford School" and the thought of Joseph Ratzinger. Set in the key of hope and despair, it considers whether or not the transhumanist interpretation of human limitations is correct, and whether their confidence in the methods of human enhancement, especially through biotechnology, corresponds to genuine hope. To this end, it investigates the philosophical foundations of transhumanism in modernity's rejection of metaphysics, the triumph of positivism, and the universalism of the theory of evolution, which when applied to anthropology becomes the materialist reduction of the human person. Ratzinger calls into question this absolutization of positive reason and its limitation of hope to what human beings can produce, naming it a pathology of reason, a mutilation of human dignity, and a facade of a world without hope. In its place, he offers a richer concept of hope that acknowledges our contingence and limitations.

Over the last several decades, technology has emerged as an important area of interest for both philosophers and theologians. Yet, despite his status as one of modernity's seminal thinkers, Søren Kierkegaard is not often seen as one who contributed to the field. Kierkegaard and the Question Concerning Technology argues otherwise. Christopher B. Barnett shows that many of Kierkegaard's criticisms of "the present age" relate to the increasing dominance of technology in the West, and he puts Kierkegaard's thought in conversation with subsequent thinkers who grappled with technological issues, from Martin Heidegger to Thomas Merton. Barnett shows that Kierkegaard's writing, with its marked emphases on personal "upbuilding," stands as a place where deeper, non-technical modes of thinking are both commended and nurtured. In doing so, Barnett presents a Kierkegaard who remains relevant--perhaps all too relevant--in today's digital age.

Mies at Home is a radical rereading of one of the most significant periods in Mies van der Rohe’s career, from the mid- to late 1920s when he was developing his seminal spatial ideas— ideas that would culminate in his celebrated design of the Tugendhat House. The book examines how Mies’s experience of residing in his apartment, doubling as a studio, in central Berlin had an impact on his spatial concepts. It uncovers one of the most profound but virtually untold aspects of Mies’s development: how his visions of an ideal lifestyle came out of his own living experience and how they, in turn, informed his domestic architecture. Mies’s quest featured two breakthroughs. In the Weissenhof apartment building, he conveyed a flexible and manifold lifestyle that many of the avant-garde artists, including himself, were practicing. Later, in the Tugendhat House, he put forward an alternative way of living that centered on contemplation. Beautifully illustrated throughout, Mies at Home offers a fresh investigation of the diverse intentions and strategies the architect used in creating his iconic open spaces. It will be an insightful read for researchers, academics, and students in architectural history and theory.

In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in God's primordial poiēsis.

Situates Pliny's Letters within the letter-writing tradition, offers new readings of favourite letters, and emphasises the importance of understanding letters within the context of original books or informal 'cycles'. For advanced undergraduates, postgraduates and scholars interested in the study of ancient letters and imperial Latin literature.

The numerous debates about how culture is changing in many Western societies call Catholics to the scene. In a course for university students seeking to be leaders in society, Gabriel von Wendt has reflected on the implications of cultural change from the standpoint of a "Catholic worldview". Alongside his students, he has explored attitudes to adopt while engaging with culture in a positive and proactive way. This book seeks to make his reflections available to the wider audience of people asking themselves: What is the role of Catholic leaders in our changing culture?