Letters Of Eugene V Debs 1913 1919

The three volumes of Debs's correspondence contain more than 1,500 of the 10,000 extant letters to and from Debs during his controversial lifetime. J. Roberts Constantine spent more than a dozen years compiling, editing, and annotating this collection. Reading Debs's correspondence with the leaders and foot soldiers of the major social movements of his time helps trace the progress of such struggles as woman suffrage, prison reform, abolition of child labor, early attacks on Jim Crow laws, and opposition to war.

This unconventional cultural history explores the lifecycle of the radical historical Jesus, a construct created by the freethinkers, feminists, socialists and anarchists who used the findings of biblical criticism to mount a serious challenge to the authority of elite liberal divines during the Gilded Age and Progressive Era.

Most American historians and legal scholars incorrectly assume that controversies and litigation about free speech began abruptly during World War I. However, there was substantial debate about free speech issues between the Civil War and World War I. Important free speech controversies, often involving the activities of sex reformers and labor unions, preceded the Espionage Act of 1917. Scores of legal cases presented free speech issues to Justices Holmes and Brandeis. A significant organization, the Free Speech League, became a principled defender of free expression two decades before the establishment of the ACLU in 1920. World War I produced a major transformation in American liberalism. Progressives who had viewed constitutional rights as barriers to needed social reforms came to appreciate the value of political dissent during its wartime repression. They subsequently misrepresented the prewar judicial hostility to free speech claims and obscured prior libertarian defenses of free speech based on commitments to individual autonomy.

A monumental work, expansive in scope, covering the life, times, and culture of that most famous of the Wobblies—songwriter, poet, hobo, thinker, humorist, martyr—Joe Hill. It is a journey into the Wobbly culture that made Hill and the capitalist culture that killed him. Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont’s opus. In great detail, the issues that Joe Hill raised and grappled with in his life: capitalism, white supremacy, gender, religion, wilderness, law, prison, and industrial unionism are shown in both the context of Hill’s life and for their enduring relevance in the century since his death. Collected too is Joe Hill’s art, plus scores of other images featuring Hill-inspired art by IWW illustrators from Ralph Chaplin to Carlos Cortez, as well as contributions from many other labor artists. As Rosemont suggests in this remarkable book, Joe Hill never really died. He lives in the minds of young (and old) rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day.

With the centennial of the First World War rapidly approaching, historian and bibliographer James T. Controvich offers in The United States in World War I: A Bibliographic Guide the most comprehensive, up-to-date reference bibliography yet published. Organized by subject, this bibliography includes the full range of sources: vintage publications of the time, books, pamphlets, periodical titles, theses, dissertations, and archival sources held by federal and state organizations, as well as those in public and private hands, including historical societies and museums. As Controvich’s bibliographic accounting makes clear, there were many facets of World War I that remain virtually unknown to this day. Throughout, Controvich’s bibliography tracks the primary sources that tell each of these stories—and many others besides—during this tense period in American history. Each entry lists the author, title, place of publication, publisher, date of publication, and page count as well as descriptive information concerning illustrations, plates, ports, maps, diagrams, and plans. The armed forces section carries additional information on rosters, awards, citations, and killed and wounded in action lists. The United States in World War I: A Bibliographic Guide is an ideal research tool for students and scholars of World War I and American history.

After twenty-six-year-old author Breece D'J Pancake took his own life in April 1979, the West Virginian's posthumously published short-story collection made a considerable impact on the world of letters. His work was praised for a controlled muscular style reminiscent of Hemingway, for its strong undercurrent of emotion, and for its evocation of the blighted lives of the mountain poor. In A Room Forever, Thomas E. Douglass offers a detailed portrait of Pancake's short life, examining the varied circumstances and emotional forces that led to the writer's suicide and exploring Pancake's influence on contemporary fiction generally and Appalachian writing in particular.Drawing on notebooks, letters, and manuscripts left by Pancake as well as numerous conversations and interviews with family, friends, and others, Douglass has recreated the key events of the young artist's life: his West Virginia childhood, his romantic losses, his education as a writer at the University of Virginia, and the acceptance of his work by the East Coast literary establishment. Through analysis of the story fragments reproduced in this volume, including The Conqueror and Shouting Victory, Douglass illustrates the recurring themes -- such as fear of failure and the inability to escape disaster -- that Pancake expressed so eloquently in his work, and he shows their origins in the writer's own personal history. Douglass examines the degree to which Pancake drew on his memories of life in Appalachia and discusses Pancake's influence on other Appalachian writers such as Pinckney Benedict. Douglass argues that Pancake's posthumous collection, The Stories of Breece D'J Pancake, brought a renewed interest in regional writing to the national literary scene. A Room Forever brings to life the artistic sensibility and inner turmoil of a legendary figure in contemporary southern letters.

In 1914, Joe Hill was convicted of murder in Utah and sentenced to death by firing squad, igniting international controversy. Many believed Hill was innocent, condemned for his association with the Industrial Workers of the World-the radical Wobblies. Now, following four years of intensive investigation, William M. Adler gives us the first full-scale biography of Joe Hill, and presents never before published documentary evidence that comes as close as one can to definitively exonerating him. Joe Hill's gripping tale is set against a brief but electrifying moment in American history, between the century's turn and World War I, when the call for industrial unionism struck a deep chord among disenfranchised workers; when class warfare raged and capitalism was on the run. Hill was the union's preeminent songwriter, and in death, he became organized labor's most venerated martyr, celebrated by Woody Guthrie and Bob Dylan, and immortalized in the ballad "I Dreamed I Saw Joe Hill Last Night." The Man Who Never Died does justice to Joe Hill's extraordinary life and its controversial end. Drawing on extensive new evidence, Adler deconstructs the case against his subject and argues convincingly for the guilt of another man. Reading like a murder mystery, and set against the background of the raw, turn-of-the-century West, this essential American story will make news and expose the roots of critical contemporary issues.