Letters To Martha

An engrossing collection that burnishes Gellhorn's reputation as an astute observer, insightful writer, and uniquely brave woman. -- Kirkus starred review) This carefully curated collection ... reveals the exciting life of a brilliant woman whose work paved the way for many who followed behind her. -- The Globe and Mail What a pleasure reading her correspondence and being reminded of how beautifully she wrote, filled with passion and insight. -- Azar Nafisi An essential book ... Janet Somerville has done a marvelous job with marvelous material. Bravo. -- Ward Just Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred objectivity shit and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as Mrs. Hemingway from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of the people who were the sufferers of history. Renewed interest in her life makes this collection, packed with newly discovered letters and pictures, fascinating reading.

“For this brief moment, the two sisters could be ‘together in heart and affection’, and through such letters bridge the distance of empire.” We often learn about the commerce, diplomacy, and military campaigns of the British empire without reference to the intimate side of life in these times—the development of self, the position of women, and the importance of family. In this book, the story of empire, so often told from a man’s perspective, is given a unique vantage point through Eliza Hillier’s letters to her younger sister, Martha. Written largely from Hong Kong, Shanghai, England, and Siam, the letters allow us to become a member of her family and follow the daily tribulations associated with the life of a young British woman in the port cities of Asia. We are thus able to share Eliza’s experiences as she leaves home to embark on married life, starts and raises a family, grieves at the abrupt and tragic loss of her husband, Charles Batten Hillier, and then sets about re-building her life. At once a reflection on the daily components of empire, an entertaining narrative of familial relationships, and the story of one woman’s inner feelings, My Dearest Martha guides us through the vagaries of life for a family who were very much a part of imperial careering and missionary circles in East and Southeast Asia. The letters are complemented by images and commentary from the author, a descendant of Eliza, providing context and depth, which together give us a fuller picture of British colonial life in the mid-1800s from a perspective that will resonate with readers around the world.

Martha Gellhorn was one of the most extraordinary of all female war correspondents. Her career tracked many of the flashpoints of the 20th century: she witnessed at first hand the Depression in the south of the United States; the Spanish Civil War; and more. This book features a selection of her intimate letters.

The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review

A New York Times Book Review Editors’ Choice, this engaging, insightful portrayal of Emily Dickinson sheds new light on one of American literature’s most enigmatic figures. On August 3, 1845, young Emily Dickinson declared, “All things are ready” and with this resolute statement, her life as a poet began. Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was hesitant about publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, which prefigured her lifelong ambivalence toward organized religion and her deep, private spirituality. We see the poet through her exhilarating frenzy of composition, through which we come to understand her fiercely self-critical eye and her relationship with sister-in-law and first reader, Susan Dickinson. Contrary to her reputation as a recluse, Dickinson makes the startling decision to ask a famous editor for advice, writes anguished letters to an unidentified “Master,” and keeps up a lifelong friendship with writer Helen Hunt Jackson. At the peak of her literary productivity, she is seized with despair in confronting possible blindness. Utilizing thousands of archival letters and poems as well as never-before-seen photos, These Fevered Days constructs a remarkable map of Emily Dickinson’s inner life. Together, these ten days provide new insights into her wildly original poetry and render an “enjoyable and absorbing” (Scott Bradfield, Washington Post) portrait of American literature’s most enigmatic figure.