Lew Ayres

A biography of Lew Ayres, an accomplished actor, pacifist, and conscientious objector of World War II.

Lew Ayres (1908-1996) became known to the public when he portrayed the leading character in the epic war film All Quiet on the Western Front. The role made him a household name, introduced him to his closest friends, brought him to the attention of his first two wives, and would overshadow the rest of his career. To be a movie star was his first and only ambition as a child, but once he found success, he was never fully satisfied in his choice of profession. Although lacking a formal education, Ayres spent the rest of his life pursuing dozens of intellectual studies, interests, and hobbies. He even considered ended his acting career after just a few years to pursue a more “respectable and fulfilling” path as a director. Ayres was given not one but two comeback opportunities in his acting career, in 1938 and 1945. He was cast in the film series Dr. Kildare where he showed his abilities in comedy and his unique strength at bringing a level of sincerity to even the most outlandish or idealist character. But he was willing to give up his star status to follow his moral compass, first as a conscientious objector and ultimately as a noncombat medic during World War II. To everyone’s surprise, he was welcomed back to Hollywood with open arms and new opportunities despite his objector status. Biographer Lesley L. Coffin presents the story of a man of quiet dignity, constantly searching for the right way to live his life and torn between the public world of Hollywood and secluded life of spiritual introspection.

The fourteen essays in Part I look at the interwar years, which gave rise to an array of pacifist organizations, both religious and humanist, throughout Europe and North America. Twelve essays in Part II deal with the brutal challenge to pacifist ideals posed by the Second World War and include a look at the fate of those courageous Germans who refused to fight for Hitler.

In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.

"In Barefoot on Barbed Wire Starr provides vivid portraits of screen stars, studio executives, and fellow writers from 1919 through the 1960s. He also discusses his contemporary publicists and columnists, including Howard Strickling and Harry Brand."--BOOK JACKET.

Over the years the representation of medical personnel has varied from heroes to villains, madmen to bumbling boobs, money grubbers to humanitarians, and compassionate savers to aloof snobs. This comprehensive resource documents all significant appearances of health professionals on film or television.

Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, “Hedda Hopper’s Hollywood,” that appeared in the Los Angeles Times and other newspapers throughout Hollywood’s golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist. While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper’s gossip career and the public’s response to both her column and her politics, Hedda Hopper’s Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today.