Li Qi And Shu

Fascinating introduction to traditional Chinese concepts of li, qi, shu, yin, yang, wuxing, and yijing. Other topics covered: Chinese mathematics, astronomy and astrology, alchemy, magic, elixirs, and the search for immortality.

Though there are a number of well-written works on Chinese divination, there are none that deal with the three sophisticated devices that were employed by the Chinese Astronomical Bureau in the eleventh century and for hundreds of years thereafter. Chinese experts applied the methods associated with these devices to both weather forecasting and to the interpretation of human affairs. Hidden by a veil of secrecy, these methods have always been relatively little known other than by their names. The first work in any language to explore these three methods, known as sanshi (three cosmic boards), this book sheds light on a topic which has been shrouded in mystery for centuries, having been kept secret for many years by the Chinese Astronomical Bureau.

From housewives to students and high-ranking officials, people from all social backgrounds in China and Taiwan visit fate calculation masters to learn about their destiny. How do clients assess the diviner’s skills? How does one become a fortune-teller? How is a person’s fate calculated? The Art of Fate Calculation explores how conceptions of fate circulate in Chinese and Taiwanese societies while resisting uniformization and institutionalization. This is not only due to the stigma of “superstition” but also to the internal dynamic of fate calculation practice and learning.

In interior design, the definition and popular perception of the interior has long been concerned with bounded spaces, and with the relationship between private and public realms. However, two issues have challenged traditional boundaries between interior and exterior, and private and public: first, the emergence of new technological practices, and second, a broader understanding of diverse cultures. Popular perceptions of public and private space are currently being revised, and the interior ...

The Kingdom of the Occult delivers the timely followup to Dr. Martin's best-selling The Kingdom of the Cults This book takes Dr. Walter Martin's comprehensive knowledge and his dynamic teaching style and forges a strong weapon against the world of the Occult-a weapon of the same scope and power as his phenomenal thirty-five year bestseller, The Kingdom of the Cults (over 875,000 sold). Chapters include: Witchcraft and Wicca, Satanism, Pagan Religions, Tools of the Occult, Demon Possession and Exorcism, Spiritual Warfare, etc. Features include: Each chapter contains: Quick Facts; History; Case Studies; Theology; Resources

This book compares the intellectual and social history and past and present contexts of mantic practices (divination) in Chinese and Greek antiquity.

This fascinating book presents the unusual career of a scientist of Chinese Malaysian origin, Ho Peng Yoke, who became a humanist and rendered his services to both Eastern and Western intellectual worlds. It describes how Ho adapted to working under changing social and academic environments in Singapore, Malaysia, Australia, Hong Kong and England. His activities also covered East Asia, Europe and North America.Ho Peng Yoke worked in collaboration with Joseph Needham of Cambridge over different periods spanning half a century in the monumental series Science and Civilization in China. Ho subsequently succeeded Needham as Director of the Needham Research Institute, where he held the post for 12 years. In the introduction to the final volume of that series, the Oxford scholar Mark Elvin remarked that Ho OC had long piloted the ship through difficult times.OCO This book tells the story and more."

Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.