Liberating Paris

Woodrow McIlmore is leading the perfect life in Paris, Arkansas: married to his high school sweetheart, he has two wonderful children and a warm circle of family and friends. When Wood's daughter announces that she wants to marry a college classmate, Wood is stunned. But that's just the tip of the iceberg -- her intended is the son of the woman who left Wood twenty years earlier, the free-spirited Duff. And so begins a tumultuous year in Paris, as Duff returns and familiar sparks fly with her old flame. Their rekindled passion affects not only Wood and Duff but also their good friends, as they must now all decide what in their lives is worth keeping and what needs to be thrown away.

Prize-winning and bestselling historian Jean Edward Smith tells the “rousing” (Jay Winik, author of 1944) story of the liberation of Paris during World War II—a triumph achieved only through the remarkable efforts of Americans, French, and Germans, racing to save the city from destruction. Following their breakout from Normandy in late June 1944, the Allies swept across northern France in pursuit of the German army. The Allies intended to bypass Paris and cross the Rhine into Germany, ending the war before winter set in. But as they advanced, local forces in Paris began their own liberation, defying the occupying German troops. Charles de Gaulle, the leading figure of the Free French government, urged General Dwight Eisenhower to divert forces to liberate Paris. Eisenhower’s advisers recommended otherwise, but Ike wanted to help position de Gaulle to lead France after the war. And both men were concerned about partisan conflict in Paris that could leave the communists in control of the city and the national government. Neither man knew that the German commandant, Dietrich von Choltitz, convinced that the war was lost, schemed to surrender the city to the Allies intact, defying Hitler’s orders to leave it a burning ruin. In The Liberation of Paris, Jean Edward Smith puts “one of the most moving moments in the history of the Second World War” (Michael Korda) in context, showing how the decision to free the city came at a heavy price: it slowed the Allied momentum and allowed the Germans to regroup. After the war German generals argued that Eisenhower’s decision to enter Paris prolonged the war for another six months. Was Paris worth this price? Smith answers this question in a “brisk new recounting” that is “terse, authoritative, [and] unsentimental” (The Washington Post).

"A rich and intriguing story whcih the authors disentangle with great skill."--Sunday Telegraph From Antony Beevor, the internationally bestselling author of D-Day and The Battle of Arnhem In this brilliant synthesis of social, political, and cultural history, Antony Beevor and Artemis Cooper present a vivid and compelling portrayal of the City of Lights after its liberation. Paris became the diplomatic battleground in the opening stages of the Cold War. Against this volatile political backdrop, every aspect of life is portrayed: scores were settled in a rough and uneven justice, black marketers grew rich on the misery of the population, and a growing number of intellectual luminaries and artists including Hemingway, Beckett, Camus, Sartre, de Beauvoir, Cocteau, and Picassocontributed new ideas and a renewed vitality to this extraordinary moment in time.

The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.

'I had thought that for me there could never again be any elation in war. But I had reckoned without the liberation of Paris - I had reckoned without remembering that I might be a part of that richly historic day. We were in Paris on the first day - one of the great days of all time.' (Ernie Pyle, US war correspondent) The liberation of Paris was a momentous point in twentieth-century history, yet it is now largely forgotten outside France. Eleven Days in August is a pulsating hour-by-hour reconstruction of these tumultuous events that shaped the final phase of the war and the future of France, told with the pace of a thriller. While examining the conflicting national and international interests that played out in the bloody street fighting, it tells of how, in eleven dramatic days, people lived, fought and died in the most beautiful city in the world. Based largely on unpublished archive material, including secret conversations, coded messages, diaries and eyewitness accounts, Eleven Days in August shows how these August days were experienced in very different ways by ordinary Parisians, Resistance fighters, French collaborators, rank-and-file German soldiers, Allied and French spies, the Allied and German High Commands. Above all, it shows that while the liberation of Paris may be attributed to the audacity of the Resistance, the weakness of the Germans and the strength of the Allies, the key to it all was the Parisians who by turn built street barricades and sunbathed on the banks of the Seine, who fought the Germans and simply tried to survive until the Germans finally surrendered, in a billiard room at the Prefecture of Police. One of the most iconic moments in the history of the twentieth century had come to a close, and the face of Paris would never be the same again.

In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.

"Dr. Wood McIlmore is the leading citizen of Paris, Arkansas. Married to his high school sweetheart Milan, Wood has it all. But everything changes dramatically when his daughter Elizabeth announces plans to marry Luke, her college classmate. Luke happens to be the son of Duff, Wood's other high school girlfriend and Milan's bitter rival. Forced back together by their children, Duff and Wood rekindle their passion-- while Milan, her world crumbling around her, tries to plan her daughter's wedding"--Container.

Get the Summary of Jean Edward Smith's The Liberation of Paris in 20 minutes. Please note: This is a summary & not the original book. "The Liberation of Paris" by Jean Edward Smith recounts the historical events leading up to and including the liberation of Paris from German occupation during World War II. The narrative begins with the unopposed entry of German troops into Paris on June 14, 1940, following the French declaration of the city as open. The book delves into the complexities of the French political landscape, the skepticism of war among the French populace, and the subsequent German invasion through the Ardennes, which caught the French military off guard...