Liberating Tradition

Offers a clear perspective on the issues Christian women face in the twenty-first century and shows how the Bible is a liberating and enriching book for women.

This volume addresses a theme long essential to feminist and liberationist theology: in what can we hope, and what role should hope play in our actions and our lives? It provides a constructive set of proposals and fills a crucial gap in theological resources as well-known contributors address the theme from their different contexts and fields.

Inclusive Hymns for Liberating Christians will expand the spiritual experience of any group, large or small. These hymns inspire justice and peacemaking. They empower women, men, and children of all races to become all they are created to be in the divine image. These hymns will lift the heart, invigorate the mind, and enliven the spirit. The wide variety of biblical divine names and images in this hymnbook will contribute to belief in the sacredness of all people and all creation. Peace and justice flow from this belief. These hymns draw from the prophetic, liberating tradition in Scripture. Predominant themes of the hymns are peace, justice, resurrection, abundant life, liberation, new creation, and partnership in relationships. This collection includes hymns that celebrate the seasons of the church year and other special occasions.

Catherine and Justo Gonzalez provide a valuable resource for preaching and biblical interpretation. An account of liberation theology's impact on the task of preaching is offered by two historians of doctrine who are intimately aware of the need to be open to marginalized perspectives in the church. Early Christian preachers had much to say on issues such as the origins and proper use of wealth, the rights and duties of the poor and rich, and the nature of ownership. The Gonzalezes recapture this early Christian spirit offering concrete ways that the interpretation of specific biblical texts may be enriched or corrected in order to speak directly to the whole life of the whole church. Often used as a text in preaching courses, 'The Liberating Pulpit' helps to clarify and to bridge the gap between those whose preaching and hermeneutics tend to be more traditional and the various minorities who tend to read Scripture in a different way.

The powerful novelist here turns penetrating critic, giving usâe"in lively styleâe"both trenchant literary analysis and fresh insight on the art of writing. âeoeWhen African American writers began to trust the literary possibilities of their own verbal and musical creations,âe writes Gayl Jones, they began to transform the European and European American models, and to gain greater artistic sovereignty.âe The vitality of African American literature derives from its incorporation of traditional oral forms: folktales, riddles, idiom, jazz rhythms, spirituals, and blues. Jones traces the development of this literature as African American writers, celebrating their oral heritage, developed distinctive literary forms. The twentieth century saw a new confidence and deliberateness in African American work: the move from surface use of dialect to articulation of a genuine black voice; the move from blacks portrayed for a white audience to characterization relieved of the need to justify. Innovative writingâe"such as Charles Waddell Chesnuttâe(tm)s depiction of black folk culture, Langston Hughesâe(tm)s poetic use of blues, and Amiri Barakaâe(tm)s recreation of the short story as a jazz pieceâe"redefined Western literary tradition. For Jones, literary technique is never far removed from its social and political implications. She documents how literary form is inherently and intensely national, and shows how the European monopoly on acceptable forms for literary art stifled American writers both black and white. Jones is especially eloquent in describing the dilemma of the African American writers: to write from their roots yet retain a universal voice; to merge the power and fluidity of oral tradition with the structure needed for written presentation. With this work Gayl Jones has added a new dimension to African American literary history.

This important book provides a sampling of liberation theology's use of biblical texts, relating it to the "standard" methods of interpretation in Europe and America. Divided into four sections, the book sets out contemporary readings of the parable of Jesus influenced by a liberationist perspective; identifies the biblical and theoretical foundations of liberation theology, comparing them with the dominant exegetical paradigm in the first world; explores the way in which liberation exegesis affects reading the canonical accounts of Jesus; and argues that liberation theology cannot be seen solely as a third-world phenomenon.

Papers furnishing a review and critique of past work in women's history are combined with selections delineating new approaches to the study of women in history and empirical studies considering ideological and class factors.

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