Life And Death In The Garden

Can Helena solve the mystery of a murder in the family that has festered for over two generations? In 1925 the beautiful, bohemian Diana Pollexfen was celebrating her thirtieth birthday with a party at a country estate, but the celebrations soured when her husband died, poisoned by a cocktail that had been liberally laced with some of Diana's photographic chemicals. Sixty years later, Diana's grand-niece, Helena, is also turning thirty, but with rather less fanfare. An overworked attorney in London, Helena's primary social outlet is an obsessive love affair. By way of distraction, Helena starts looking through her great-aunt's papers and soon develops another obsession: Determining just who killed George Pollexfen in that lovely, sunlit garden between the wars. Praise for Elizabeth Ironside ‘Excellent local colour and culture, good adventure and an admirable denouement’ Marcel Berlins ‘She joins those few mystery writers you unreservedly look forward to reading ... a thoroughly satisfying psychological thriller’ Harriet Waugh, Spectator ‘A fine, stylish book to be savoured’ James Melville ‘Superbly handled ... a masterly example of classic crime fiction’ Birmingham Post ‘A spell-binding story of love, murder and deception’ Coventry Evening Telegraph ‘Enticing murder mystery’ Manchester Evening News

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

The author describes her life after she loses her husband of forty years to cancer, describing her surprising reaction to his death and how she found contentment in her garden.

This compelling book provides a rare glimpse into the heart of wartime China. Kathryn Meyer draws us into the perilous world of the Garden of Grand Vision, a ramshackle structure where a floating population of thousands found shelter from the freezing Siberian winter. They had come to the northern city of Harbin to find opportunity or to escape the turmoil of China in civil war. Instead they found despair. As the author vividly describes, corpses littered the halls waiting for the daily offal truck to cart the bodies away, vermin infested the walls, and relief came in the form of addiction. Yet the Garden also supported a vibrant informal economy. Rag pickers and thieves recycled everything from rat pelts to cigarette butts. Prostitutes entertained clients in the building’s halls and back alleys. These people lived at the very bottom of Chinese society, yet rumors that Chinese spies hid among the residents concerned the Japanese authorities. For this population lived in Manchukuo, the first Japanese conquest in what became the Second World War. Thus, three Japanese police officers were dispatched into the underworld of occupied China to investigate crime and vice in the Harbin slums while their military leaders dragged Japan deeper into the Pacific War. While following these policemen, the reader discovers a remarkable and unexpected view of World War II in East Asia. Instead of recounting battles and military strategy, this book explores the margins of a violent and entrepreneurial society, the struggles of an occupying police force to maintain order, and the underbelly of Japanese espionage. Drawing on the author’s years of rediscovering the historical trail in Manchuria and research based on top-secret Japanese military documents and Chinese memoirs, this book offers a unique and powerful social and cultural history of a forgotten world.

Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize ÒVincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The ReaperÕs Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.ÓÑIra Berlin From the author of TackyÕs Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The ReaperÕs Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in AmericaÑand a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in JamaicaÑbelonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, Òmortuary politicsÓ played a consequential role in determining the course of history. Insightful and powerfully affecting, The ReaperÕs Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.

Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.