Life Crafter Death

My sister, Emmy can be impulsive. Like when she spontaneously shows up on my doorstep, heartbroken.

My sister, Emmy can be impulsive. Like when she spontaneously shows up on my doorstep, heartbroken.

Kristin Norget explores the practice and meanings of death rituals in the popular culture of poor urban neighborhoods on the outskirts of the southern Mexican city of Oaxaca. Norget's work offers an original perspective on the significance of the Day of the Dead and other Oaxacan ritual practices in shaping people's values and social identities. Drawing on her extensive fieldwork in Oaxacan neighborhoods, Norget includes vivid descriptions of Day of the Dead rituals.

While topics such as death, funerary cult, and the netherworld have received considerable scholarly attention in the context of the Ugaritic textual corpus, the related concept of life has been relatively neglected. Life and Mortality in Ugaritic takes as its premise that one cannot grasp the significance of mwt (“to die”) without first having wrestled with the concept of ḥyy (“to live”). In this book, Matthew McAffee takes a lexical approach to the study of life and death in the Ugaritic textual corpus. He identifies and analyzes the Ugaritic terms most commonly used to talk about life and mortality in order to construct a more representative framework of the ancient perspective on these topics, and he concludes by synthesizing the results of this lexical study into a broader literary discussion that considers, among other things, the implications for our understanding of the first-millennium Katumuwa stele from Zincirli. McAffee’s study complements previous scholarly work in this area, which has tended to rely on conceptual and theoretical treatment of mortality, and advances the discussion by providing a more focused lexical analysis of the Ugaritic terms in question. It will be of interest to Semitic scholars and those who study Ugaritic in particular, in addition to students of the culture of the ancient Levant.

Edward Albee as Theatrical and Dramatic Innovator explores this three-time Pulitzer prize-winning playwright’s innovations as a dramatist and theatrical artist and his contributions to the evolution of modern American drama.