Life Is Hard Poetry Is Harder

My poems in LIFE IS HARD, POETRY IS HARDER explore the human condition. The complex nature of the psyche, society, and humanity have always fascinated me. This finds reflection in my poetry through recollections of childhood experiences; descriptions of states of mind; observations of social conditions; and also depictions of people and places. My hope is that the readers of this book will find poems which move them, speak to them and which they can relate to.

Thirst, a collection of forty-three new poems from Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the frst time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.

WILDFIRE PUBLICATIONS, LLC, is proud to announce its February 1, 2019 Magazine Issue. This is our 19th Edition, full of exciting new artists to paint your literary palette.

Typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wellsprings of Music" forms a worthy elose to that long series of publications his boundless energy and unsurpassed knowledge have given uso I feel greatly indebted to Dr. Eric Werner, New York, for his decisive encouragement towards the publication of this work and for the active interest he took in it. I want also to express my gratitude to the musicologist Miss Marijke Charbon, The Hague, for having made an Index of N ames and for some useful suggestions. Amsterdam, 15th February 1960 JAAP KUNST My dear friend Jaap Kunst did not live to see this book in print. I wish to express my deep gratitude to him, whose dedi cated help and unfailing and devoted interest made its publi cation possible.

It is the hope of Deborah Brooks Langford and myself that this new venture, WILDFIRE PUBLICATIONS MONTHLY MAGAZINE, be another forum to showcase Authors, their books and put them in the limelight. We also want to showcase non-writers with their articles, poems, artwork. We have many features to offer like: Travel, Animals Section, Spiritual Corner, Fashion News, Cooking Corner with Recipes, Health/Mental Health and Substance Abuse Addiction Section and a new section for young teens. We are a fresh, innovative Variety magazine based off its sister company, WILDFIRE PUBLICATIONS. We like to offer a venue for EVERYONE to express themselves and also for readers of all genre to enjoy articles, stories of interests, beautiful graphics, information that is informative, entertaining and stimulating. Your One-Stop Shop Virtual Magazine to meet all literary needs plus other fun things of attraction.

An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

Beginning with basic terminology and techniques, Mayes shows how focusing on one aspect of a poem can help you to better understand, appreciate, and enjoy the reading and writing experience.