Life Times And Poetry Of Mir

Mir-Taqi-Mir--or Mir, as he is better known--was one of the greatest poets of Urdu. The book is a fascinating story of his life of rare courage and grit. Orphaned at the age of eleven with the death of an ascetic father, with nothing to fall back on, young Mir was thrown into difficult times to face life and support his family. The Indian subcontinent faced internecine wars, and the great Mughal empire was crumbling in front of the child Mir, who was left to fend for himself and provide for his family. Mir witnessed the destruction and savagery of Nadir Shah and Ahmed Shah Abdali brought upon Delhi. These historical times left a deep impression on Mir as is seen in his poetic sensibilities. The book captures the personal travails of Mir, the drama of his time, and his soul- stirring poetry. Arguably the greatest of Urdu poets Ghalib made a rare unqualified exception when it came to Mir as he wrote: Rekhta ke tum hee ustaad nahin ho Ghalib, Kehte hain agle Zamane mein koi Mir bhi tha . . . Ghalib, you are not the only master of Urdu poetry Heard people say there was one Mir in the bygone era

THE BOOK OF MIR Selected Poems of Mir Taqi Mir Translation and Introduction Paul Smith Mir Taqi Mir (1723 - 1810) was the leading Urdu poet of the eighteenth century and one of the pioneers of Urdu. He was one of the principal poets of the Delhi school of the Urdu ghazal. He was born in Agra and left for Delhi after the death of his father whose emphasis on the importance of love and the value of compassion remained with him, imbuing his poetry. At Delhi he finished his education and joined a group of nobles as a court-poet. At 17 he had a mental break-down and suffered from bouts of madness all his life. After the sack of Delhi he eventually moved to the court in Lucknow where he stayed for the remainder of his life. Like many Urdu poets Mir's literary reputation is from his ghazals. After moving to Lucknow his daughter died, then his son and wife. This, with other earlier setbacks, lends a strong pathos and melancholy to much of his writing. Like Obeyd Zakani and others before him Mir practiced the Malamati or 'Blameworthy' aspect of Sufism. He was a prolific poet, his complete works or Kulliyat consisting of 6 Divans, containing 13,585 couplets comprising all kinds of poetic forms: ghazals, masnavis, qit'as, ruba'is, etc He also composed in Persian a Divan, a unique autobiography and a book on Urdu Poets and a book of spiritual advice for his son. This is the largest selection in English of most forms of his poetry with correct form and meaning kept, published for the first time. Introduction: Mir's Life & Times & Poetry, Selected Bibliography, On the Various Poetic Forms Mir used. Large Format Paperback... 7" x 10" 214 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Mu'in, Amir Khusrau, Lalla Ded, Mahsati, Iqbal, Baba Farid and many others, as well as his own poetry, fiction, plays, children's books, biographies and a dozen screenplays. www.newhumanitybooks.com

DIVAN OF MIR Translation and Introduction Paul Smith Mir Taqi Mir (1723 - 1810) was the leading Urdu poet of the eighteenth century and one of the pioneers of Urdu. He was one of the principal poets of the Delhi school of the Urdu ghazal. He was born in Agra and left for Delhi after the death of his father whose emphasis on the importance of love and the value of compassion remained with him, imbuing his poetry. At Delhi he finished his education and joined a group of nobles as a court-poet. At 17 he had a mental break-down and suffered from bouts of madness all his life. After the sack of Delhi he eventually moved to the court in Lucknow where he stayed for the remainder of his life. Like many Urdu poets Mir's literary reputation is from his ghazals. After moving to Lucknow his daughter died, then his son and wife. This, with other earlier setbacks, lends a strong pathos and melancholy to much of his writing. Like Obeyd Zakani and others before him Mir practiced the Malamati or 'Blameworthy' aspect of Sufism. He was a prolific poet, his complete works or Kulliyat consisting of 6 Divans, containing 13,585 couplets comprising all kinds of poetic forms: ghazals, masnavis, qit'as, ruba'is, etc He also composed in Persian a Divan, a unique autobiography and a book on Urdu Poets and a book of spiritual advice for his son. This is the largest selection in English of most forms of his poetry with correct form and meaning kept, published for the first time. Introduction: Mir's Life & Times & Poetry, Selected Bibliography, On the Various Poetic Forms Mir used. Large Format Paperback... 7" x 10" 214 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Mu'in, Amir Khusrau, Lalla Ded, Mahsati, Iqbal, Baba Farid and many others, as well as his own poetry, fiction, plays, children's books, biographies and a dozen screenplays. www.newhumanitybooks.com

MIR: LIFE & POEMS Translation & Introduction Paul Smith Mir Taqi Mir (1723 - 1810) was the leading Urdu poet of the eighteenth century and one of the pioneers of Urdu. He was one of the principal poets of the Delhi school of the Urdu ghazal. He was born in Agra and left for Delhi after the death of his father whose emphasis on the importance of love and the value of compassion remained with him, imbuing his poetry. At 17 he had a mental break-down and suffered from bouts of madness all his life. After the sack of Delhi he eventually moved to the court in Lucknow where he stayed for the remainder of his life. Like many Urdu poets Mir's literary reputation is from his ghazals. After moving to Lucknow his daughter died, then his son and wife. This, with other earlier setbacks, lends a strong pathos and melancholy to much of his writing. Like Obeyd Zakani and others before him Mir practiced the Malamati or 'Blameworthy' aspect of Sufism. His complete works or Kulliyat consists of 6 Divans, containing 13,585 couplets comprising all kinds of poetic forms: ghazals, masnavis, qit'as, ruba'is, etc He also composed a unique autobiography and a book on Urdu Poets and a book of spiritual advice for his son. Introduction: Mir's Life & Times & Poetry, Selected Bibliography, On the Various Poetic Forms Mir used. 120 pages Poets in the Introduction to Sufi Poets Series 'AISHAH Al-BA'UNIYAH, AMIR KHUSRAU, ANSARI, ANVARI, AL-MA'ARRI, 'ATTAR, ABU SA'ID, AUHAD UD-DIN, BABA FARID, BABA AZFAL, BABA TAHIR, BEDIL, BULLEH SHAH, DARA SHIKOH, GHALIB, HAFIZ, IBN 'ARABI, IBN YAMIN, IBN AL-FARID, IQBAL, 'IRAQI, JAHAN KHATUN, JAMI, KAMAL AD-DIN, KABIR, KHAQANI, KHAYYAM, LALLA DED, MAKHFI, MANSUR HALLAJ, MU'IN UD-DIN CHISHTI, NAZIR AKBARABADI, NESIMI, NIZAMI, OBEYD ZAKANI, RAHMAN BABA, RUMI, SANA'I, SADI, SARMAD, SHABISTARI, SHAH LATIF, SHAH NI'MAT'ULLAH, SULTAN BAHU, YUNUS EMRE, EARLY ARABIC SUFI POETS, EARLY PERSIAN SUFI POETS, URDU SUFI POETS, TURKISH SUFI POETS, AFGHAN SUFI POETS 90 - 120 pages each Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Shah Latif, and others, and his own poetry, fiction, plays, biographies, screenplays. www.newhumanitybooks.com

Mir Taqi Mir (1723-1810), known as the god of Urdu poesy (Khuda-e Sukhan), is widely admired for his poetic genius. The most prolific among all Urdu poets, he produced six divans. His deceptively simple poetry had an unusual mellowness and natural flow.Mir was the first poet to demonstrate the hidden beauty and genius of the Urdu language. From the raw Braj of Agra to the sophisticated Persian of Delhi and the mellow Awadhi of Lucknow, he wove them all into his verse. He took the half-baked Rekhta of the mid-eighteenth century to new heights, reaching the pinnacle of literary Urdu's poetic and creative journey. With a substantial selection of Mir's most memorable ghazals, The Hidden Garden introduces readers to the life and poetry of the grossly misunderstood poet. This book is the perfect read for lovers of poetry and Urdu alike.

Urdu literature is rich with poetic geniuses like Mirza Ghalib, Allama Iqbal, Nazeer Akbarabadi, Mirza Rafi Sauda, Mir Anis, and many more. But, Mir Taqi Mir occupies a place that is topmost amongst all the poets of the Urdu language. Mir is Khuda-e-Sukhan, the God of poetry. Wallace Stevens, a celebrated American poet, has famously said, "a poet is the priest of the invisible" when a poet puts this invisible into words and makes it visible for all to see, the God of poetry is born. Mir Mohammad Taqi's birth year was 1722 or 1723 in Akbarabad (Agra) into a family that had migrated from Hejaz to Hindustan two generations prior. Mir has written a memoir in Persian, a book called Zikr-e-Mir in which he talks about his ancestors and early years. This autobiographical account is a bit patchy, not chronological or even complete, but it gives us a fair idea of Mir Taqi Mir's life and times. Mir's childhood was hugely influenced by his father, Mir Abdullah Ali (Motaqqi), a well-known mystic. He was a Sufi dervish, and one can see that this is where the philosophy of Mir's love resides. Mir's uncle Syed Amanullah was also a dervish who educated Mir. In the august company of these two mystics, Mir grew up, and their teachings influenced the way Mir looked at the world. Mir writes that his father often told him that love is supreme and it is on the foundations of love that the world functions. Young as he was, Mir imbibed his father's teachings and practiced them lifelong, making love the primary subject of his poetry. Mir talks about love with reverence. He may talk of worldly love, of the physical beauty of the beloved, and at times even with the frivolousness that comes with youth, but if one looks deeper, one finds that love for him is divinity in all its forms. Parastish ki yaaN tak ki ai but tujhe nazar mein sabhoN ki khuda kar chale I idol worshipped you with such strong emotion and made you God in the world's perception

Zikr-i Mir is a rare, autobiographical narrative in Persian and its author, Mir Muhammad Taqi 'Mir', is one of the finest ghazal poets in Urdu.

This love letter to the cities of the world—from the airline pilot–author of Skyfaring—is "a journey around both the author's mind and the planet's great cities that leaves us energized, open to new experiences and ready to return more hopefully to our lives" (Alain de Botton, author of The Art of Travel). In his small New England hometown, Mark Vanhoenacker spent his childhood dreaming of elsewhere— of the distant, real cities he found on the illuminated globe in his bedroom, and of one perfect metropolis that existed only in his imagination. These cities were the sources of endless comfort and escape, and of a lasting fascination. Streets unspooled, towers shone, and anonymous crowds bustled in the places where Mark hoped he could someday be anyone—perhaps even himself. Now, as a commercial airline pilot, Mark has spent nearly two decades crossing the skies of our planet and touching down in dozens of the storied cities he imagined as a child. He experiences these destinations during brief stays that he repeats month after month and year after year, giving him an unconventional and uniquely vivid perspective on the places that form our urban world. In this intimate yet expansive work that weaves travelogue with memoir, Mark celebrates the cities he has come to know and to love, through the lens of the hometown his heart has never quite left. As he explores emblematic facets of each city’s identity— the road signs of Los Angeles, the old gates of Jeddah, the snowy streets of Sapporo—he shows us with warmth and fresh eyes the extraordinary places that billions of us call home.