Life Writing From The Margins In Zimbabwe

This book explores the unique contributions of various forms of post-2000 life-writings such as the autobiography, epistles, and biographies, to discourses about the nature and socio-politics of what has become known as the Zimbabwean crisis (c. 2000–2009). Much of what has been written about the Zimbabwean crisis – a decade-long period of unprecedented economic collapse and political upheavals in the southern African country – is strictly discipline-specific and therefore limited to unidimensional modes of theorising the crisis’s many and complex dimensions and dynamics. In this context, this book charts a paradigm shift in hermeneutic and epistemological approaches to comprehending the Zimbabwean crisis. Life-Writing from the Margins in Zimbabwe centres the experiences and memories of ordinary Zimbabweans in pluralizing modes of seeing and knowing the crisis. The book argues that these life-writings present a rich site for encountering versions of the crisis that relate in counter-discursive ways, to the dominant, state-authored narrative of the nation in crisis. Oliver Nyambi’s analysis contributes new ideas to ongoing debates about how cultural texts reflect on the postcoloniality of both power, and experiences and negotiations of power in the context of crisis. This book will be of interest to scholars and students of African literature, Zimbabwean/African studies, postcolonial literature, life-writing and cultural studies.

Focusing on the various intersections between illness and literature across time and space, The Portrait of an Artist as a Pathographer seeks to understand how ontological, phenomenological and epistemological experiences of illness have been dealt with and represented in literary writings and literary studies. In this volume, scholars from across the world have come together to understand how the pathological condition of being ill (the sufferers), as well as the pathologists dealing with the ill (the healers and caregivers), have shaped literary works. The language of medical science, with its jargon, and the language of the every day, with its emphasis on utility, prove equally insufficient and futile in capturing the pain and suffering of illness. It is this insufficiency and futility that makes us turn towards the canonical works of Joseph Conrad, Samuel Beckett, William Carlos Williams, Virginia Woolf, Kazuo Ishiguro, Miroslav Holub as well as the non-canonical António Lobo Antunes, Yumemakura Baku, Wopko Jensma and Vaslav Nijinsky. This volume helps in understanding and capturing the metalanguage of illness while presenting us with the tradition of ‘writing pain’. In an effort to expand the definition of pathography to include those who are on the other side of pain, the essays in this collection aim to portray the above-mentioned pathographers as artists, turning the anxiety and suffering of illness into an art form. Looking deeply into such creative aspects of illness, this book also seeks to evoke the possibility of pathography as world literature. This book will be of particular interest to undergraduate, postgraduate and research students, as well as scholars of literature and medical humanities who are interested in the intersections between literary studies and medical science.

This book examines the ways in which political discourses of crisis and ‘newness’ are (re)produced, circulated, naturalised, received and contested in Post-Mugabe Zimbabwe. Going beyond the ordinariness of conventional political, human and social science methods, the book offers new and engaging multi-disciplinary approaches that treat discourse and language as important sites to encounter the politics of contested representations of the Zimbabwean crisis in the wake of the 2017 coup. The book centres discourse on new approaches to contestations around the discursive framing of various aspects of the socio-economic and political crisis related to significant political changes in Zimbabwe post-2017. Contributors in this volume, most of whom experienced the complex transition first-hand, examine some of the ways in which language functions as a socio-cultural and political mechanism for creating imaginaries, circulating, defending and contesting conceptions, visions, perceptions and knowledges of the post-Mugabe turn in the Zimbabwean crisis and its management by the "New Dispensation". This book will be of interest to scholars of African studies, postcolonial studies, language/discourse studies, African politics and culture.

How and when does culture enter the discourse on liberation, transition and crisis in an African post-colony such as Zimbabwe? In a deeply polarised nation reeling from a difficult transition and an unrelenting economic crisis, it is increasingly becoming difficult for the ZANU PF regime to prescribe and enforce its monolithic concept of liberation. This book culls, from contemporary (counter)cultures of liberation and transition, the state of liberations in Zimbabwe. It explores how culture has functioned as a complex site where rigid state-authored liberations are legitimated and naturalised but also where they are negotiated, contested and subverted.

Cultural Texts of Resistance in Zimbabwe explores how ordinary citizens appropriate and deploy cultural texts such as internet memes, songs, political cartoons and social media discussions as vehicles to contest hegemonic narratives of the state and insert alternative ways of imagining the future of the nation. This book is a timely attempt to examine the multiple and complex dimensions of resistance in post-millennial Zimbabwe through analysing different cultural productions. It centres the voices of ordinary Zimbabweans by examining popular cultural texts that reflect their experiences and ways of living within the Zimbabwean crisis of the post-2000 period. The book argues that subversive cultural texts have become important tools that ordinary citizens appropriate to challenge the repressive political environment and imagine different ways of writing the nation. The book brings a fresh perspective to ongoing discussions on how popular cultural texts contribute to the narration of the nation, especially in the context of crisis.

This book provides a detailed account of the lives of the poor, particularly their use of social networks to meet everyday needs. Based on fieldwork in Cameroon, the book provides a distinctive approach that draws on social network theory and insights from economic anthropology to shed light on how the poor make a living. Though embeddedness in social networks is essential to human achievement, we know little about the social and cultural forces and processes that shape poor people’s decisions to seek help from strong, weak, and disposable ties in an African context. Focusing on network practice rather than network structure, the author argues that the ability of poor people to meet their diverse needs rests on several elements, such as favourable interactions and social and cultural forces. He examines various issues crucial to the lives of the poor, such as food, shelter, healthcare, death and funerals, and access to finance. Particular focus is given to the complicated nature of social relationships, the different contexts where these relationships take place, and how these factors shape poor individuals’ decisions regarding whom to turn to when attempting to meet their needs, including how they actually meet those needs. This book will be of interest to researchers, teachers, students, and policy-makers in African Studies economics, development studies, sociology, and anthropology.

This book investigates how culture reflects change in Zimbabwe, focusing predominantly on Mnangagwa’s 2017 coup, but also uncovering deeper roots for how renewal and transition are conceived in the country. Since Emmerson Mnangagwa ousted Robert Mugabe in 2017, he has been keen to defi ne his "Second Republic" or "New Dispensation" with a rhetoric of change and a rejection of past political and economic cultures. This multi and inter- disciplinary volume looks to the (social) media, language/ discourse, theatre, images, political speeches and literary fiction and non- fiction to see how they have reflected on this time of unprecedented upheaval. The book argues that themes of self- renewal stretch right back to the formative years of the ZANU PF, and that despite the longevity of Mugabe’s tenure, the latest transition can be seen as part of a complex and protracted layering of postcolonial social, economic and political changes. Providing an innovative investigation of how political change in Zimbabwe is reflected on in cultural texts and products, this book will be of interest to researchers across African history, literature, politics, culture and post- colonial studies.

This book brings together scholars from diverse backgrounds to provide interdisciplinary perspectives on national healing, integration, and reconciliation in Zimbabwe. Taking into account the complex nature of healing across moral, political, economic, cultural, psychological, and spiritual dimensions of communities and the nation, the chapters discuss approaches, disparities, tensions, and solutions to healing and reconciliation within a multidisciplinary framework. Arguing that Zimbabwe’s development agenda is severely compromised by the dominance of violence and militancy, the contributors analyse the challenges, possibilities and opportunities for national healing. This book will be of interest to scholars of African studies, conflict and reconciliation, and development studies.