Lighting Modern Buildings

Lighting in Architectural Design documents the part played by the independent lighting designer, leading to a greater understanding by architects and lighting engineers of the importance of lighting in architectural design.

Daylighting offers a general theory and introduction to the use of natural light in architecture. The fourth of Derek Phillip's lighting books draws on his experience to illustrate how best to bring natural light into building design. As sustainability becomes a core principal for designers, daylighting comes to the fore as an alternative to artificial, energy consuming, light. Here, Phillips makes a rational argument for considering daylight first, outlining the arguments in favour of a daylight approach, and goes on to show, through a series of beautifully illustrated case studies, how architects have created buildings in which natural light has been shown to play a major strategic role in the development of the design of a building.

Modern lighting techniques help you showcase and beautify historic buildings! Now you can design better, more efficient illumination for older structures with Lighting Historic Buildings by Derek Philips. You'll know how to incorporate modern lighting into buildings built decades--or centuries--before flourescent bulbs, TV screens, computer monitors and OSHA requirements were invented. Whether you're renovating, refurbishing or expanding an illumination system, lighting historic buildings shows you proven strategies and designs for using both natural and artificial light to achieve outstanding results. Plus, over 200 full color illustrations show you the best lighting solutions for offices, residences, churches, industrial facilities, and change-of-use properties worldwide. Uding the expert techniques you'll find in this one-of-kind resource, you'll see how to provide modern and efficient lighting designs while retaining the original beauty and integrity of historic buildings.

Reviewing the use of natural light by architects in the era of electricity, this book aims to show that natural light not only remains a potential source of order in architecture, but that natural lighting strategies impose a usefully creative discipline on design. Considering an approach to environmental context that sees light as a critical aspect of place, this book explores current attitudes to natural light by offering a series of in-depth studies of recent projects and the particular lighting issues they have addressed. It gives a more nuanced appraisal of these lighting strategies by setting them within their broader topographic, climatic and cultural contexts.

Typically one third of the energy used in many buildings may be consumed by electric lighting. Good daylighting design can reduce electricity consumption for lighting and improve standards of visual comfort, health and amenity for the occupants.As the only comprehensive text on the subject written in the last decade, the book will be welcomed by all architects and building services engineers interested in good daylighting design. The book is based on the work of 25 experts from all parts of Europe who have collected, evaluated and developed the material under the auspices of the European Commission's Solar Energy and Energy Conservation R&D Programmes.

How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.