Like A Guilty Thing

Ben Slocum's marriage careens out of control, so he flees New England, only to have his progress-and nearly his life-ended. Octogenarian and psychiatrist Will Rivard saves Ben with the stroke of a T'ai Chi sword. The ensuing friendship brings to light a stunning secret that has tormented Will for six decades. Will shares this secret through his adolescent journal, transporting Ben back in time to the height of the Great Depression. Ben's glimpse back in time reveals why two lovers cross the raging floodwaters of Fountain Creek, even as a bridge washes out beneath their car. Stranded, they huddle on the roof, a spot scarcely larger than a welcome mat, as rescuers throw ropes and launch boats into the torrent. Will Rivard joins in the fight to save them. Yet questions remain: Why did the couple attempt such a desperate gambit in the first place? Did Will chase them to that spot? As the complex strands of past and present converge, romance blossoms in Ben's life and he learns, of Will's ill-fated love. Like a Guilty Thing presents parallel dramas, each with questions-and answers-that race toward its gripping end.

A morbid tragedy about mortality, madness, and murder, Hamlet follows the eponymous Prince of Denmark as he plots to avenge his father's murder at the hands of Claudius, Hamlet's uncle and the current king, who married Hamlet's mother, Gertrude. Haunted by a ghost and arguing with his girlfriend Ophelia, Hamlet struggles to take revenge, as delay and feigned insanity preoccupy him. Rounding out the cast are other famous figures, like Horatio, and Polonius, and of course, the Gravedigger, who finds the skull of "poor Yorick." Perhaps Shakespeare's most popular play, Hamlet.

'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.'Thomas De Quincey - opium-eater, celebrity journalist, and professional doppelgänger - is embedded in our culture. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the poet's former cottage in Grasmere and turned it into an opium den. Here, increasingly detached from the world, he nurtured his growing hatred of his former idols and his obsession with murder as one of the fine arts.De Quincey may never have felt the equal of the giants of the Romantic Literature he so worshipped but the writing style he pioneered - scripted and sculptured emotional memoir - was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography.This spectacular biography, the produce of meticulous scholarship and beautifully supple prose, tells the riches-to-rags story of a figure of dazzling complexity and dazzling originality, whose rackety life was lived on the run, and both brings De Quincey and his martyred but wild soul triumphantly to life and firmly establishes Frances Wilson in the front rank of contemporary biographers.

She took a peaceful walk in the woods—and found death waiting. . . . “The best mystery writer anywhere in the English-speaking world.”—The Boston Globe Elizabeth and Quentin Nightingale. A happy couple who lived quite graciously at Myfleet Manor in the gentle English countryside. Elizabeth Nightingale found peace and tranquility on her nightly walks through the rich, dense forests surrounding Myfleet Manor. But the peace she treasured was shattered one night when she found death waiting in the woods. Chief Inspector Wexford and his colleague Inspector Burden find a most unsavory case on their hands—and must use all their wit and wisdom to solve it . . . “Undoubtedly one of the best writers of English mysteries and chiller-killer plots.”—Los Angeles Times “You cannot afford to miss Ruth Rendell.”—The New York Times Book Review “For readers who have almost given up mysteries . . . Rendell may be just the woman to get them started again.”—Ellery Queen's Mystery Magazine

In A Guilty Thing Surprised, multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell has created a thriller so taut and tense and full of twists and turns, you'll be gripped from page one. An absolute must for fans of PD James, Ann Cleeves and Donna Leon. 'Ruth Rendell is England's premier detective-thriller writer' -- Spectator 'The best mystery writer in the English-speaking world' -- The Times 'Ruth Rendell has a sharp and perceptive eye for everyday detail, an uncanny understanding of human behaviour and, above all, the ability to colour innocence with evil' -- The Sunday Telegraph 'I could not put the book down!' -- ***** Reader review 'You'll love it!' -- ***** Reader review 'A real page-turner' -- ***** Reader review 'Wexford at his compelling best' -- ***** Reader review ********************************************************************** EVEN THE DEAD HAVE SOMETHING TO HIDE... The discovery of Elizabeth Nightingale's broken body in the woods near her home could not have come as a bigger shock. Called in to investigate, Chief Inspector Wexford quickly determines that the Nightingales were considered the perfect couple - wealthy, attractive and without an enemy in the world. However, someone must have been alone with Elizabeth that night in the woods. Someone who hated - or perhaps loved - her enough to beat her to death. The case seems straightforward. But Wexford soon learns that beneath the placid surface of the Nightingales' lives lie undercurrents and secrets no one ever suspected...

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

This book is an autobiography of a man named John St. Loe Strachey. He was a British journalist and newspaper proprietor. He was a close friend and confidant of the diplomat, Sir Cecil Spring Rice, with whom he corresponded for many years. Strachey also edited The Cornhill Magazine.