Liliane

Through the polyphonic voices of Liliane Lincoln's childhood friends, lovers, and conversations with her psychoanalyst, Ntozake Shange weaves the life of a remarkable young woman. Liliane Lincoln is an artist who exposes what she knows of herself to the world through her bold and colorful artwork. Gradually, however, Liliane realizes that in order to survive, she must come to terms with what she has kept hidden even from herself. Liliane is extraordinary vision of a woman learning to be who she really is.

From the award-winning author of For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf comes Ntozake Shange's extraordinary novel Liliane, about a woman learning to be who she really is. "A daring portrait of a black woman artist re-creating herself out of social and psychological chaos, the fragmentation that haunts our time, our nation. Ourselves."-Los Angeles Times Through the polyphonic voices of Liliane Lincoln's childhood friends, lovers, and conversations with her psychoanalyst, Ntozake Shange weaves the life of a remarkable young woman. Liliane Lincoln is an artist who exposes what she knows of herself to the world through her bold and colorful artwork. Gradually, however, Liliane realizes that in order to survive, she must come to terms with what she has kept hidden even from herself. Liliane is extraordinary vision of a woman learning to be who she really is.

This National Book Award–winning author’s autobiographical novel is a “layered portrait of a family and the historical eras it lived through” (The Boston Globe). “Tuck is a genius.” —Los Angeles Book Review Her father is a German movie producer who lives in Italy. Her mother is a beautiful, artistically talented woman who resides in New York. As their child, Liliane’s life is divided between those two very different worlds—worlds that inspire her to find herself in both the present and in her ancestors’ pasts. A shy and observant only child with a vivid imagination, Liliane finds herself exploring her family’s vibrant history—which includes such renowned and diverse figures as the philosopher Moses Mendelssohn and the tragic Mary Queen of Scots—and piecing together their vivid lives. And in doing so, what is revealed is an astonishing and riveting exploration of self, humanity, and family. Told with Lily Tuck’s inimitable elegance and peppered with documents, photos, and a rich and varied array of characters, “this autobiographical novel creates a portrait of the writer as a young woman” (The New Yorker).

An NPR Best Book of 2017 Heiress to the nearly forty-billion-dollar L’Oréal fortune, Liliane Bettencourt was the world’s richest woman and the fourteenth wealthiest person. But her gilded life took a dark yet fascinating turn in the past decade. At ninety-four, she was embroiled in what has been called the Bettencourt Affair, a scandal that dominated the headlines in France. Why? It’s a tangled web of hidden secrets, divided loyalties, frayed relationships, and fractured families, set in the most romantic city—and involving the most glamorous industry—in the world. The Bettencourt Affair started as a family drama but quickly became a massive scandal, uncovering L’Oréal’s shadowy corporate history and buried World War II secrets. From the Right Bank mansions to the Left Bank artist havens; and from the Bettencourts’ servant quarters to the office of President Nicolas Sarkozy; all of Paris was shaken by the blockbuster case, the shocking reversals, and the surprising final victim. It all began when Liliane met François-Marie Banier, an artist and photographer who was, in his youth, the toast of Paris and a protégé of Salvador Dalí. Over the next two decades, Banier was given hundreds of millions of dollars in gifts, cash, and insurance policies by Liliane. What, exactly, was their relationship? It wasn’t clear, least of all to Liliane’s daughter and only child, Françoise, who became suspicious of Banier’s motives and filed a lawsuit against him. But Banier has a far different story to tell... The Bettencourt Affair is part courtroom drama; part upstairs-downstairs tale; and part characterdriven story of a complex, fascinating family and the intruder who nearly tore it apart.

Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.

To what extent are the concepts of fatherhood and family, as proposed by Sigmund Freud, still valid? Psychoanalysis, Fatherhood, and the Modern Family traces the development of Freud’s theory of the Oedipus complex and discusses his ideas in the context of recent psychoanalytic work, new sociological data, and theoretical explorations on gender and diversity. Contributors include representatives from many academic disciplines, as well as practicing psychoanalysts who reflect on their experience with patients. Their exciting essays break new ground in defining who a father is—and what a father may be.

One of the world's most important collections of 20th century design, The Stewart Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between the works.