Line Color Form

A full-color graphic guide to the foundational vocabulary needed to discuss art and design at the undergraduate, graduate, and commercial levels.

Ellsworth Kelly first conceived Line Form Color in 1951 as a series of studies, both drawings and collages. In this volume, Kelly has brought Line Form Color to completion. Its 40 plates correspond to the original collages. This is the French language edition.

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums. Finalist for the 2002 National Book Critics Circle Award.

For David Smith (19061965), widely considered one of the foremost American abstract expressionist sculptors of the 20th century, there was no conceptual boundary between mediums. Focusing on works from the late 1950s until the artists untimely death in 1965, this oversized but trim exhibition catalog charts the development of 21 stunning works couched among historic images culled from the artists archive. The physical qualities of Smiths welded-steel sculptures transmit a strong industrial presence but part of their impact and power derives from their gestural and tactile surfaces that give painting and drawing and sculpture the same visual impact and spatial weight. Smith paved the way for such artists as John Chamberlain, Mark di Suvero and Richard Serra by moving the site of sculptures construction from the 19th-century confines of the artists atelier and fine-art foundry into the expansive, industrial context of the 20th century. Essay by Menil Collection curator Michelle White.

A superb facsimile of the only known notebook of legendary artist Anni Albers, this publication offers insight into the methodology of a modern master. Beginning in 1970, Anni Albers filled her graph-paper notebook regularly until 1980. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers's deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line in a visually dramatic and mysteriously beautiful series of geometric arrangements. An afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni Albers Foundation, contextualizes the notebook and explores the role studies played in the development of her work.

Foundations of Design by Jeff Davis provides a straightforward examination of the basic principles of two-dimensional design. Written in a clear and concise style, this textbook presents the elements of design in a logical order, with each chapter building on the next. The book employs a highly visual design with numerous diagrams that elegantly illustrate the fundamental design concepts. The diagrams are paired with relevant examples of contemporary art that connect theory to application. Foundations of Design has been written to be accessible by anyone with an interest in art or design. The efficient, practical approach provides useful guidance for beginning students and practicing professionals alike. The universal ideas on visual communication are appropriate for any creative field, including fine art, graphic design, advertising, illustration, web design, and photography. Foundations of Design is an essential addition to any art and design library. TABLE OF CONTENTS Chapter 1 - Design Chapter 2 - Format Chapter 3 - Line Chapter 4 - Shape Chapter 5 - Size Chapter 6 - Color Chapter 7 - Texture Chapter 8 - Composition Chapter 9 - Space Chapter 10 - Grouping Chapter 11 - Contrast Chapter 12 - Balance Chapter 13 - Emphasis Chapter 14 - Movement Chapter 15 - Unity

Draw 50 Buildings and Other Structures teaches aspiring artists how to draw with ease by following simple, step-by-step instructions. Celebrated author Lee J. Ames shows readers how to draw famous structures from all over the world, as well as an igloo, a barn and silo, a windmill, and even a teepee. Ames's illustration style and renowned drawing method has made him a leader in the step-by-step drawing manual, and the 31 books in his Draw 50 series have sold more than three million copies. Ames's instruction allows seasoned artists to refine their technique and guides amateurs to develop their own artistic abilities. Even the youngest artists can draw the tallest, grandest structures. It's easy to construct any type of building when it's done the Draw 50 way.