Lionhearts

History and myth collide in Nathan Makaryk's Lionhearts, a riveting story of vengeance, redemption and war, perfect for fans of Game of Thrones. All will be well when King Richard returns . . . but King Richard has been captured. To raise the money for his ransom, every lord in England is raising taxes, the French are eyeing the empty throne, and the man they called, “Robin Hood,” the man the Sherriff claims is dead, is everywhere and nowhere at once. He’s with a band of outlaws in Sherwood Forest, raiding guard outposts. He’s with Nottingham’s largest gang, committing crimes to protest the taxes. He’s in the lowest slums of the city, conducting a reign of terror against the city's most vulnerable. A hero to some, a monster to others, and an idea that can't simply be killed. But who's really under the hood? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Bradford makes history come alive.” Canadian Children’s Literature knew that Karleen Bradford had a winner in There Will Be Wolves, the first, award-winning instalment in her Crusades trilogy. The bestselling book, which has sold more than 40,000 copies, was followed by another critically acclaimed bestseller, Shadows on a Sword. Both of these titles set the stage for the eagerly anticipated release of Lionheart’s Scribe, the third — and the buzz is that it’s the best — title in the medieval series. Lionheart’s Scribe is the story of Matthew, a 15-year-old scribe, orphaned and destined for a hardscrabble life of twelfth-century servitude, whose quick wits thrust him into the position of scribe to King Richard the Lionheart of England. It’s the time of the Crusades, as France and England prepare to help King Guy of Jerusalem in winning back the Holy Land from the Muslim Salah-ud-Din. Matthew finds himself drawn into a bloody and divisive war, saving a queen from imprisonment and a young Muslim girl from drowning at sea. Matthew’s journal becomes the masterful framework for this powerful, action-packed adventure, a first-person account that instantly grabs its readers for a historical ride they’re not likely to forget. Like its predecessors, Lionheart’s Scribe is a satisfying, illuminating story that will be a must-read for Karleen Bradford’s many fans.

In this parallel biography of two great Medieval figures, Geoffrey Regan views them as different sides of the same coin, and observes that to their respective faiths both leaders were heroes of the holy war and worthy of the title Lionheart.

Lionheart is the latest historical adventure novel from Stewart Binns, covering the extraordinary life of King Richard the Lionheart. Richard of Aquitaine, the third son of King Henry II, is developing a fearsome reputation for being a ruthless warrior. Arrogant and conceited he earns the name Richard Lionheart for his bravery and brutality on the battlefield. After the death his brothers, Richard's impatience to take the throne, and gain the immense power that being King over a vast empire would bring him, leads him to form an alliance with Philip II, King of France. After invading his father's lands on the Continent, Richard Lionheart goes on to defeat the King's army at the tumultuous Battle of Ballans. Taking his place on the throne he begins his bloody quest to return the Holy Land to Christian rule. Stewart Binns' Making of England series features Conquest, Crusade, Anarchy and his latest historical page-turner, Lionheart. Praise for Stewart Binns: 'A fascinating mix of fact, legend and fiction ... this is storytelling at its best.' Daily Mail 'Stewart Binns has produced a real page-turner, a truly stunning adventure story - Alastair Campbell Stewart Binns began his professional life as an academic. He then pursued several adventures, including a stint at the BBC, before settling into a career as a schoolteacher, specializing in history. Later in life, a lucky break took him back to the BBC, which was the beginning of a successful career in television. He has won a BAFTA, a Grierson, an RTS and a Peabody for his documentaries. Stewart's passion is English history, especially its origins and folklore. His previous novels Conquest, Crusade and Anarchy published to great acclaim.

I use the phrase “corporate bollocks” to refer to the oppressive organisational cultures I have experienced in my work life in both the private and public sectors. There is a colossal failure in consumer trust because many unethical corporations refuse to act responsibly and truthfully, with regard to their employees, consumers and the planet. This book was written to help provide support to those employed within toxic, and oppressive organisational cultures. It also explores, should you choose to, how you might escape the corporate jungle and find happiness elsewhere.

Nathan Makaryk's epic and daring debut rewrites the Robin Hood legend, giving voice to those history never mentioned and challenging who's really a hero and a villain. “The most pleasurable reading experience I've had since first discovering George R.R. Martin's A Song of Ice and Fire.” — Bryan Cogman, Co-Executive Producer and Writer, Game of Thrones No king. No rules. England, 1191. King Richard is half a world away, fighting for God and his own ambition. Back home, his country languishes, bankrupt and on the verge of anarchy. People with power are running unchecked. People without are growing angry. And in Nottingham, one of the largest shires in England, the sheriff seems intent on doing nothing about it. As the leaves turn gold in the Sherwood Forest, the lives of six people—Arable, a servant girl with a secret, Robin and William, soldiers running from their pasts, Marion, a noblewoman working for change, Guy of Gisbourne, Nottingham’s beleaguered guard captain, and Elena Gamwell, a brash, ambitious thief—become intertwined. And a strange story begins to spread . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This ground-breaking and substantive new history considers Richard's reign from a perspective that is as much French as English. Viewing the king himself as a great military commander, it also shows him as a more competent administrator than previously acknowledged. Modern revisionist work allows the authors to correct many misconceptions about Richard's French possessions, and recent scholarship on his rival, Philip Augustus, permits examination of the formidable threat that the resurgent Capetian monarchy represented.

Given the substantial impact of feminism on children’s literature and culture during the last quarter century, it comes as no surprise that gender studies have focused predominantly on issues of female representation. The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children’s literature and film, critical consideration of the subject is timely, if not long overdue Ways of Being Male addresses this new concern in an unprecedented collection of essays examining how contemporary debates about masculinity are reflected in fiction and film for young adults. An outstanding team of scholars elucidates the ways in which different versions of male identity are constructed and presented to young audiences. The contributors, drawn from a variety of academic disciplines, employ international discourses in literary criticism, feminism, social sciences, film theory, psychoanalytic criticism, and queer theory in their wide-ranging exploration of male representation. With its illuminating array of perspectives, this pioneering survey brings a long neglected subject into sharp focus.