Lions At Lamb House

Sigmund Freud arrives in the English countryside to visit Henry James, who is immersed in revising his early works. Over ten days, the worlds of psychology and literature collide, giving rise to this charming novel of ideas.

The CWA Gold Dagger Award-winning British espionage novel about disgraced MI5 agents who inadvertently uncover a deadly Cold War-era legacy of sleeper cells and mythic super spies. The disgruntled agents of Slough House, the MI5 branch where washed-up spies are sent to finish their failed careers on desk duty, are called into action to protect a visiting Russian oligarch whom MI5 hopes to recruit to British intelligence. While two agents are dispatched on that babysitting job, though, an old Cold War-era spy named Dickie Bow is found dead, ostensibly of a heart attack, on a bus outside of Oxford, far from his usual haunts. But the head of Slough House, the irascible Jackson Lamb, is convinced Dickie Bow was murdered. As the agents dig into their fallen comrade's circumstances, they uncover a shadowy tangle of ancient Cold War secrets that seem to lead back to a man named Alexander Popov, who is either a Soviet bogeyman or the most dangerous man in the world. How many more people will have to die to keep those secrets buried?

This book explores the extraordinary proliferation of novels based on Henry James’s life and works published between 2001 and 2016, the centenary of his death. Part One concentrates on biofictions about James by David Lodge and Colm Tóibín, and those written from the perspective of the key female figures in his life. Part Two explores appropriations of The Portrait of a Lady, The Turn of the Screw, and The Ambassadors. The book articulates the developments in biographical and adaptive writing that enabled millennial writers to engage so explicitly with James, locates the sources of his appeal, and explores the different forms of engagement taken. Layne analyses how these manifestations of James’s legacy might function differently for knowing versus unknowing readers, and how they might perform the role of literary criticism. Overarching themes include ideas of queering, the concern with seeking redress, and the frustrated quest for origin, authenticity, or ‘the real thing’.

A fresh take on a familiar saying, perfect for the first rainy days of spring. Rattling windows with the roar of a late-winter storm, March shows up like a lion-- wild and messy, muddy and wet. In rhythmic, exuberant text, Newbery Honor-author Marion Dane Bauer conveys the changeable nature of spring weather, as the lion makes way for the lamb—with a huge sneeze!—as the trees and flowers spring into bloom. Full of humor and motion, Caldecott-winning illustrator Emily Arnold McCully's soft watercolors bring the blustering lion and gentle lamb to life. From hail and wet snow to vibrant green fields full of blossoms, the illustrations grow brighter, springing into new life—and hinting and the summer to come. The lively text and paintings illustrate the ways in which we personify spring weather, making this book a perfect introduction to figurative language—and lots of fun to read as well.

Provides language arts, social studies, writing, math, science, health, music, drama, physical fitness, and art activities for use in kindergarten through sixth grade classes which celebrate the month of March. Includes lists of books and bulletin board ideas.

Bob Briner would have told you, "Absolutely!" Roaring Lambs is Briner's manifesto of our proper stance regarding the "culture-shaping arena." Christians can and ought to be the movers and shakers of social change -- "roaring lambs" who infiltrate and make an impact on their workplace and world with their faith. Roaring Lambs was written from Briner's personal experience as an Emmy Award-winning television producer. It takes you into the work world strategies anyone can use. There's also a useful discussion guide that will help you and your friends put shoe leather to your faith. Bob Briner's greatest legacy may well be the way in which, through his own courageous roam, he helped countless Christians discover theirs. John their ranks. Roar with conviction -- and change your world!

A collection of essays on writers and writing by the Booker-shortlisted novelist and critic. Writing about real lives takes various forms, which overlap and may be combined with each other: biography, autobiography, biographical criticism, biographical fiction, memoir, confession, diary. In these thoughtful and enlightening essays David Lodge considers some particularly interesting examples of life-writing, and contributes several of his own. The subjects include celebrated modern British writers such as Graham Greene, Kingsley Amis, Muriel Spark and Alan Bennett, and two major figures from the past, Anthony Trollope and H.G.Wells. Lodge examines connections between the style and the man in the diaries of the playwright Simon Gray and the cultural criticism of Terry Eagleton, and recalls how his own literary career was entwined with that of his friend Malcolm Bradbury. All except one of the subjects (Princess Diana) are or were themselves professionally “in writing”, making this collection a kind of casebook of the splendours and miseries of authorship. In a final essay Lodge describes the genesis and compositional method of his recent novel about H.G.Wells, A Man of Parts, and engages with the critical controversies that have been provoked by the increasing popularity of narrative and dramatic writing that combines fact and fiction. Drawing on David Lodge’s long experience as a novelist and critic, Lives in Writing is a fascinating study of the interface between life and literature.