Literacy And Identity In Pre Islamic Arabia

In these studies Michael Macdonald examines the extraordinary flowering of literacy in both the settled and nomadic populations of western Arabia in the 1500 years before the birth of Islam, when a larger proportion of the population could read and write than in any other part of the ancient Near East, and possibly any other part of the ancient world. Even among the nomads there seems to have been almost universal literacy in some regions. The scores of thousands of inscriptions and graffiti they left paint a vivid picture of the way-of-life, social systems, and personal emotions of their authors, information which is not available for any other non-élite population in the ancient Near East outside Egypt. This abundance of inscriptions has enabled Michael Macdonald to explore in detail some of the - often surprising - ways in which reading and writing were used in the literate and non-literate communities of ancient Arabia. He describes the many different languages and the distinct family of alphabets used in ancient Arabia, and discusses the connections between the use of particular languages or scripts and expressions of personal and communal identity. The problem of how ancient perceptions of ethnicity in this region can be identified in the sources is another theme of these papers; more specifically, they deal from several different perspectives with the question of what ancient writers meant when they applied the term 'Arab' to a wide variety of peoples throughout the ancient Near East.

Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.

This book delves into the political and cultural developments of pre-Islamic Arabia, focusing on the religious attitudes of the inhabitants of the Arabian Peninsula and its northern extension into the Syrian desert. Between the third and the seventh century, Arabia was on the edge of three great empires (Iran, Rome and Aksūm) and at the centre of a lucrative network of trade routes. Valentina Grasso offers an interpretative framework which contextualizes the choice of Arabian elites to become Jewish sympathisers and/or convert to Christianity and Islam by probing the mobilization of faith in the shaping of Arabian identities. For the first time the Arabians of the period are granted autonomy from marginalizing (mostly Western) narratives framing them as 'barbarians' inhabiting the fringes of Rome and Iran and/or deterministic analyses in which they are depicted retrospectively as exemplified by the Muslims' definition of the period as Jāhilīyah, 'ignorance'.

For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks. This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.

By addressing various aspects of the Qur'?n's linguistic and historical context and offering close readings of selected passages in the light of Jewish, Christian, and ancient Arabic literature, the volume seeks to stimulate a new interaction between literary and historical scholarship.

This book explores the long history of the evolution of Arab political identity, which predates the time of the Prophet Muhammad and is characterized by tolerance, compassion, generosity, hospitality, self-control, correct behaviour, equality and consensus. The author argues that present-day struggles in many Arab countries to redefine polities and politics are related to the fact that the underlying political culture of the Arabs has been overridden for centuries by successive political regimes which have deviated from the original political culture that the Prophet adhered to. The book outlines the political culture that existed before Islam, examines how the Conquests and the rule of the early dynasties (Umayyad and Abbasid) of the Islamic world found it necessary to override it, and analyses the effect of rule by non-Arabs – successively Mamluks, Ottoman Turks and Western colonial powers. It discusses the impact of these distortions on present day politics in the Arab world, and concludes by appealing for a reawakening of, and respect for, the cultural elements underlying the origins of Arab political identity.

In Between Empires Greg Fisher tackles the problem of pre-Islamic Arab identity by examining the relationship between the Roman Empire and the Empire of Sasanian Iran, and a selection of their Arab allies and neighbours, the Jafnids, Nasrids, and Hujrids. Fisher focuses on the last century before the emergence of Islam and stresses the importance of a Near East dominated by Rome and Iran for the formation of early concepts of Arab identity. In particular, he examines cultural and religious integration, political activities, and the role played by Arabic as factors in this process. He concludes that interface with the Roman Empire, in particular, played a key role in helping to lay the foundation for later concepts of Arab identity, and that the world of Late Antiquity is, as a result, of enduring interest in our understanding of what we now call the Middle East.

Mirage of the Saracen analyzes the growth of monasticism and Christian settlements in the Sinai Peninsula through the early seventh century C.E. Walter D. Ward examines the ways in which Christian monks justified occupying the Sinai through creating associations between Biblical narratives and Sinai sites while assigning uncivilized, negative, and oppositional traits to the indigenous nomadic population, whom the Christians pejoratively called "Saracens." By writing edifying tales of hostile nomads and the ensuing martyrdom of the monks, Christians not only reinforced their claims to the spiritual benefits of asceticism but also provoked the Roman authorities to enhance defense of pilgrimage routes to the Sinai. When Muslim armies later began conquering the Middle East, Christians also labeled these new conquerors as Saracens, connecting Muslims to these pre-Islamic representations. This timely and relevant work builds a historical account of interreligious encounters in the ancient world, showing the Sinai as a crucible for forging long-lasting images of both Christians and Muslims, some of which endure today.