Literary Garveyism

The real roots of the Harlem Renaissance lie in,the Garvey Movement. This volume presents a rich,treasury of literary criticism, book reviews,poetry, short stories, music, art appreciation and,polemics on the Black aesthetic and other never,before published literary and cultural writings of,Garvey's Harlem Renaissance.

Many would be surprised to learn that Garvey's,many talents included poetry. Here collected,together for the first time is his poetic work.

This volume recognizes that the most challenging aspect of introducing students to anglophone Caribbean literature--the sheer variety of intellectual and artistic traditions in Western and non-Western cultures that relate to it--also offers the greatest opportunities to teachers. Courses on anglophone literature in the Caribbean can consider the region's specific histories and contexts even as they explore common issues: the legacies of slavery, colonialism, and colonial education; nationalism; exile and migration; identity and hybridity; class and racial conflict; gender and sexuality; religion and ritual. This volume considers how the availability of materials shapes syllabuses and recommends print, digital, and visual resources for teaching. The essays examine a host of topics, including the following: the development of multiethnic populations in the Caribbean and the role of various creole languages in the literature oral art forms, such as dub poetry and reggae music the influence of anglophone literature in the Caribbean on literary movements outside it, such as the Harlem Renaissance and black British writing Carnival religious rituals and beliefs specific genres such as slave narratives and autobiography film and drama the economics of rum Many essays list resources for further reading, and the volume concludes with a section of additional teaching resources.

The black separatist movement led by Marcus Garvey has long been viewed as a phenomenon of African American organization in the urban North. But as Mary Rolinson demonstrates, the largest number of Universal Negro Improvement Association (UNIA) divisions and Garvey's most devoted and loyal followers were found in the southern Black Belt. Tracing the path of organizers from northern cities to Virginia, and then from the Upper to the Deep South, Rolinson remaps the movement to include this vital but overlooked region. Rolinson shows how Garvey's southern constituency sprang from cities, countryside churches, and sharecropper cabins. Southern Garveyites adopted pertinent elements of the movement's ideology and developed strategies for community self-defense and self-determination. These southern African Americans maintained a spiritual attachment to their African identities and developed a fiercely racial nationalism, building on the rhetoric and experiences of black organizers from the nineteenth-century South. Garveyism provided a common bond during the upheaval of the Great Migration, Rolinson contends, and even after the UNIA had all but disappeared in the South in the 1930s, the movement's tenets of race organization, unity, and pride continued to flourish in other forms of black protest for generations.

Arguing that the accomplishments of Jamaican activist Marcus Garvey and his followers have been marginalized in narratives of the black freedom struggle, this volume builds on decades of overlooked research to reveal the profound impact of Garvey’s post–World War I black nationalist philosophy around the globe and across the twentieth century. These essays point to the breadth of Garveyism’s spread and its reception in communities across the African diaspora, examining the influence of Garvey’s Universal Negro Improvement Association (UNIA) in Africa, Australia, North America, and the Caribbean. They highlight the underrecognized work of many Garveyite women and show how the UNIA played a key role in shaping labor unions, political organizations, churches, and schools. In addition, contributors describe the importance of grassroots efforts for expanding the global movement—the UNIA trained leaders to organize local centers of power, whose political activism outside the movement helped Garvey’s message escape its organizational bounds during the 1920s. They trace the imprint of the movement on long-term developments such as decolonization in Africa and the Caribbean, the pan-Aboriginal fight for land rights in Australia, the civil rights and Black Power movements in the United States, and the radical pan-African movement. Rejecting the idea that Garveyism was a brief and misguided phenomenon, this volume exposes its scope, significance, and endurance. Together, contributors assert that Garvey initiated the most important mass movement in the history of the African diaspora, and they urge readers to rethink the emergence of modern black politics with Garveyism at the center.

Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.

Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.