Literature And Domestic Travel In Early Modern England

In the early modern period, the population of England travelled more than is often now thought, by road and by water: from members of the gentry travelling for pleasure, through the activities of those involved in internal trade, to labourers migrating out of necessity. Yet the commonly held view that people should know their places, geographically as well as socially, made domestic travel highly controversial. Andrew McRae examines the meanings of mobility in the early modern period, drawing on sources from canonical literature and travel narratives to a range of historical documents including maps and travel guides. He identifies the relationship between domestic travel and the emergence of vital new models of nationhood and identity. An original contribution to the study of early modern literature as well as travel literature, this interdisciplinary book opens up domestic travel as a vital and previously underexplored area of research.

Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.

An exploration of the early modern manuals on travelling (Artes apodemicae), which originated in the sixteenth century, when it became communis opinio among intellectuals that an extended tour abroad was an indispensable part of humanist, academic and political education.

Geographies of Embodiment in Early Modern England gathers essays from prominent scholars of English Renaissance literature and history who have made substantial contributions to the study of early modern embodiment, historical phenomenology, affect, cognition, memory, and natural philosophy. It provides new interpretations of the geographic dimensions of early modern embodiment, emphasizing the transactional and dynamic aspects of the relationship between body and world. The geographies of embodiment encompass both cognitive processes and cosmic environments, and inner emotional states as well as affective landscapes. Rather than always being territorialized onto individual bodies, ideas about early modern embodiment are varied both in their scope and in terms of their representation. Reflecting this variety, this volume offers up a range of inquiries into how early modern writers accounted for the exchanges between the microcosm and macrocosm. It engages with Gail Kern Paster's groundbreaking scholarship on embodiment, humoralism, the passions, and historical phenomenology throughout, and offers new readings of Edmund Spenser, William Shakespeare, Thomas Nashe, John Milton, and others. Contributions consider the epistemiologies of navigation and cartography, the significance of geohumoralism, the ethics of self-mastery, theories of early modern cosmology, the construction of place memory, and perceptions of an animate spirit world.

This book provides a history of the alehouse between the years 1550 and 1700, the period during which it first assumed its long celebrated role as the key site for public recreation in the villages and market towns of England. In the face of considerable animosity from Church and State, the patrons of alehouses, who were drawn from a wide cross section of village society, fought for and won a central place in their communities for an institution that they cherished as a vital facilitator of what they termed "good fellowship". For them, sharing a drink in the alehouse was fundamental to the formation of social bonds, to the expression of their identity, and to the definition of communities, allegiances and friendships. Bringing together social and cultural history approaches, this book draws on a wide range of source material - from legal records and diary evidence to printed drinking songs - to investigate battles over alehouse licensing and the regulation of drinking; the political views and allegiances that ordinary men and women expressed from the alebench; the meanings and values that drinking rituals and practices held for contemporaries; and the social networks and collective identities expressed through the choice of drinking companions. Focusing on an institution and a social practice at the heart of everyday life in early modern England, this book allows us to see some of the ways in which ordinary men and women responded to historical processes such as religious change and state formation, and just as importantly reveals how they shaped their own communities and collective identities. It will be essential reading for anyone interested in the social, cultural and political worlds of the ordinary men and women of seventeenth-century England. MARK HAILWOOD is Lecturer in Early Modern British History at St Hilda's College, University of Oxford.

Astrology, Almanacs, and the Early Modern English Calendar is a handbook designed to help modern readers unlock the vast cultural, religious, and scientific material contained in early modern calendars and almanacs. It outlines the basic cosmological, astrological, and medical theories that undergirded calendars, traces the medieval evolution of the calendar into its early modern format against the background of the English Reformation, and presents a history of the English almanac in the context of the rise of the printing industry in England. The book includes a primer on deciphering early modern printed almanacs, as well as an illustrated guide to the rich visual and verbal iconography of seasons, months, and days of the week, gathered from material culture, farming manuals, almanacs, and continental prints. As a practical guide to English calendars and the social, mathematical, and scientific practices that inform them, Astrology, Almanacs,and the Early Modern English Calendar is an indispensable tool for historians, cultural critics, and literary scholars working with the primary material of the period, especially those with interests in astrology, popular science, popular print, the book as material artifact, and the history of time-reckoning.

Geo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.

Winner of the Society for the Study of Early Modern Women’s Collaborative Book Prize 2017 Rethinking Feminism in Early Modern Studies is a volume of essays by leading scholars in the field of early modern studies on the history, present state, and future possibilities of feminist criticism and theory. It responds to current anxieties that feminist criticism is in a state of decline by attending to debates and differences that have emerged in light of ongoing scholarly discussions of race, affect, sexuality, and transnationalism-work that compels us continually to reassess our definitions of ’women’ and gender. Rethinking Feminism demonstrates how studies of early modern literature, history, and culture can contribute to a reimagination of feminist aims, methods, and objects of study at this historical juncture. While the scholars contributing to Rethinking Feminism have very different interests and methods, they are united in their conviction that early modern studies must be in dialogue with, and indeed contribute to, larger theoretical and political debates about gender, race, and sexuality, and to the relationship between these areas. To this end, the essays not only analyze literary texts and cultural practices to shed light on early modern ideology and politics, but also address metacritical questions of methodology and theory. Taken together, they show how a consciousness of the complexity of the past allows us to rethink the genealogies and historical stakes of current scholarly norms and debates.