Literature And Heresy In The Age Of Chaucer

After the late fourteenth century, English literature was fundamentally shaped by the heresy of John Wyclif and his followers. This study demonstrates how Geoffrey Chaucer, William Langland, John Clanvowe, Margery Kempe, Thomas Hoccleve and John Lydgate, far from eschewing Wycliffism out of fear of censorship or partisan distaste, viewed Wycliffite ideas as a distinctly new intellectual resource. Andrew Cole offers a complete historical account of the first official condemnation of Wycliffism - the Blackfriars council of 1382 - and the fullest study of 'lollardy' as a social and literary construct. Drawing on literary criticism, history, theology and law, he presents not only a fresh perspective on late medieval literature, but also an invaluable rethinking of the Wycliffite heresy. Literature and Heresy restores Wycliffism to its proper place as the most significant context for late medieval English writing, and thus for the origins of English literary history.

English literature from Chaucer to Milton was produced in a culture where accusations of heresy were frequently made, and where the meaning of orthodoxy was unsettled. The essays in this book show the ways in which ideas about heresy and orthodoxy had their impact, sometimes fatally, on writers. The various movements - Lollardy, Bible Protestantism, Calvinist orthodoxy, and antinomian heresy - produced vital, often eloquent or satiric, writing from all sides in the recurring debates. The literary genres - where these issues are important - include autobiography, romance, history, theology, drama, and poetry.

A comprehensive and wide-ranging account of the interrelationship between law and literature in Anglo-Saxon, Medieval and Tudor England.

Chaucer lived through a period of extraordinary upheaval: a protracted war with France, devastating plague, the peasants' revolt, religious controversy, and the overthrow of the king. Compact and comprehensive, this book offers a wide-ranging account of the medieval society from which works such as The Canterbury Tales and Troilus and Criseyde sprang, and shows how these and other works manifest that society in fictional form. Significant aspects of the literary scene, such as patronage, audience, and performance, help to place Chaucer's practices in their historical framework, and his treatment of love, paganism, and reality are framed within their intellectual and philosophical contexts. The modern reception of Chaucer in film and television adaptations is also examined. Seen through the lens of his cultural experience, this is the perfect critical companion to Chaucer's life and poetry. The book includes a chronology of Chaucer's life and time, suggestions for further reading, websites, illustrations, and a comprehensive index. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works including The Canterbury Tales are united thematically in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke.

The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.

In Coterie Poetics and the Beginnings of the English Literary Tradition, R. D. Perry reveals how poetic coteries formed and maintained the English literary tradition. Perry shows that, from Geoffrey Chaucer to Edmund Spenser, the poets who bridged the medieval and early modern periods created a profusion of coterie forms as they sought to navigate their relationships with their contemporaries and to the vernacular literary traditions that preceded them. Rather than defining coteries solely as historical communities of individuals sharing work, Perry reframes them as products of authors signaling associations with one another across time and space, in life and on the page. From Geoffrey Chaucer’s associations with both his fellow writers in London and with his geographically distant French contemporaries, to Thomas Hoccleve’s emphatic insistence that he was “aqweyntid” with Chaucer even after Chaucer’s death, to John Lydgate’s formations of “virtual coteries” of a wide range of individuals alive and dead who can only truly come together on the page, the book traces how writers formed the English literary tradition by signaling social connections. By forming coteries, both real and virtual, based on shared appreciation of a literary tradition, these authors redefine what should be valued in that tradition, shaping and reshaping it accordingly. Perry shows how our notion of the English literary tradition came to be and how it could be imagined otherwise.

Introduction: Canterbury tales IV-V and literary value -- Clerk -- Merchant -- Squire -- Franklin.