Literature And The Irish Famine 1845 1919

The impact of the Irish famine of 1845-1852 was unparalleled in both political and psychological terms. The effects of famine-related mortality and emigration were devastating, in the field of literature no less than in other areas. In this incisive new study, Melissa Fegan explores the famine's legacy to literature, tracing it in the work of contemporary writers and their successors, down to 1919. Dr Fegan examines both fiction and non-fiction, including journalism, travel-narratives and the Irish novels of Anthony Trollope. She argues that an examination of famine literature that simply categorizes it as 'minor' or views it only as a silence or an absence misses the very real contribution that it makes to our understanding of the period. This is an important contribution to the study of Irish history and literature, sharply illuminating contemporary Irish mentalities.

Over one million people died in the Great Famine, and more than one million more emigrated on the coffin ships to America and beyond. Drawing on contemporary eyewitness accounts and diaries, the book charts the arrival of the potato blight in 1845 and the total destruction of the harvests in 1846 which brought a sense of numbing shock to the populace. Far from meeting the relief needs of the poor, the Liberal public works programme was a first example of how relief policies would themselves lead to mortality. Workhouses were swamped with thousands who had subsisted on public works and soup kitchens earlier, and who now gathered in ragged crowds. Unable to cope, workhouse staff were forced to witness hundreds die where they lay, outside the walls. The next phase of degradation was the clearances, or exterminations in popular parlance which took place on a colossal scale. From late 1847 an exodus had begun. The Famine slowly came to an end from late 1849 but the longer term consequences were to reverberate through future decades.

The Great Famine of 1845-52 was the most decisive event in the history of modern Ireland. In a country of eight million people, the Famine caused the death of approximately one million, while a similar number were forced to emigrate. The Irish population fell to just over four million by the beginning of the twentieth century. Christine Kinealy's survey is long established as the most complete, scholarly survey of the Great Famine yet produced. First published in 1994, This Great Calamity remains an exhaustive and indefatigable look into the event that defined Ireland as we know it today.

Rigorously researched, Hunger: A Modern History draws together social, cultural, and political history, to show us how we came to have a moral, political, and social responsibility toward the hungry. Vernon forcefully reminds us how many perished from hunger in the empire and reveals how their history was intricately connected with the precarious achievements of the welfare state in Britain, as well as with the development of international institutions committed to the conquest of world hunger.

Famine Echoes is a groundbreaking oral account of the Great Irish Potato Famine of 1845–52, telling the stories of its victims for the first time ever in their own words and those of their descendants. 'When the potato crop failed no other food was available and the people perished by the hundreds of thousands, along the roadside, in the ditches, in the fields from hunger and cold, and what was even worse – the famine fever. The strongest men were reduced to mere skeletons and they could be met daily with the clothes hanging on them like ghosts.' The Great Irish Famine is the greatest tragedy in Irish history. Over one million people died and nearly two million emigrated as a result. Famine Echoes gives a voice to its victims, offering a unique perspective on the Great Hunger, the defining event of modern Irish history. In Famine Echoes, descendants of Famine survivors recall the community memories of the great hunger in their own words, conveying like never before the heartbreak and horrors their relatives experienced. This remarkable book, a seminal record of the oral transmission of folk memory, is a record of the last living link with the survivors of Ireland's most devastating historical event. In the 1940s, the Folklore Commission conducted interviews with thousands of elderly people around Ireland who remembered what they themselves had heard from ancestors who had survived the Famine. Cathal Póirtéir has edited a selection of these recollections, arranging the material in an order which follows the rough chronology of the Famine itself. Famine Echoes is published to coincide with the RTÉ Radio series of the same name. Famine Echoes: Table of Contents - Folk Memory and the Famine - Before the Bad Times - Abundance Abused and the Blight - Turnips, Blood, Herbs and Fish - 'No Sin and You Starving' - Mouths Stained Green - 'The Fever, God Bless Us' - The Paupers and the Poorhouse - Boilers, Stirabout and 'Yellow Male' - New Lines and 'Male Roads' - 'Soupers', 'Jumpers' and 'Cat Breacs' - The Bottomless Coffin and the Famine Pit - Landlords, Grain and Government - Agents, Grabbers and Gombeen Men - 'A Terrible Levelling of Houses' - The Coffin Ships and the Going Away - Of Curses, Kindness and Miraculous FoodAppendix I Appendix II

The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

Discusses the potato famine that struck Ireland in 1845, resulting in the starvation deaths of over a million Irish citizens, the displacement of thousands, and the immigration of over one million to America and Australia.