Literature Culture And Society In Postwar England

Alan Sinfield (1941-) is Professor of English at the University of Sussex. The publication of Literature, Politics and Culture in Postwar Britain in 1989 firmly established him as one of our foremost writers on literature and a leading critic of postwar culture and society. Literature, Politics and Culture in Postwar Britain is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945 and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms, and the growth of American cultural dominance. This edition includes a new foreword by the author, specially written for the Impact edition.

From Angus Wilson to Pat Barker and Salman Rushdie, British Culture of the Post-War is an ideal starting point for those studying cultural developments in Britain of recent years. Chapters on individual people and art forms give a clear and concise overview of the progression of different genres. They also discuss the wider issues of Britain's relationship with America and Europe, and the idea of Britishness. Each section is introduced with a short discussion of the major historical events of the period. Read as a whole, British Culture of the Postwar will give students a comprehensive introduction to this turbulent and exciting period, and a greater understanding of the cultural production arising from it.

A comprehensive, accessible and lucid coverage of major issues and key figures in modern and contemporary British literature.

From Anglo-Saxon runes to postcolonial rap, this undergraduate textbook covers the social and historical contexts of the whole of the English literature.

A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.

Some of the most incisive writers on the subject rethink the relationship between Britain, England and English literary culture. It is premised on the importance of devolution, the uncertainty of the British union, the place of English Literature within the union, and the need for England to become a self-determining literary nation.

This essential introductory guide provides a comprehensive critical survey of the diverse and rich body of literary writing produced in England in the postwar period. John Brannigan explores the relationship between literature and history, and analyses how poets, playwrights and novelists have revisited notions of Englishness, represented Englands of the past, and sought to make new 'maps' of English culture and society. Orwell to the Present: Literature in England, 1945-2000 combines original readings of familiar texts with wide-ranging explorations of the principal themes and historical and cultural contexts of literature since the end of the Second World War. Writers considered in detail include: Martin Amis, Simon Armitage, Pat Barker, John Betjeman, Edward Bond, Angela Carter, Margaret Drabble, Sarah Kane, Mark Ravenhill, Jean Rhys, Salman Rushdie, Sam Selvon, Graham Swift and Evelyn Waugh.