Little Songs Of The Geisha

This book of Japanese poetry and lyrics explores a little-known style of Japanese song called Ko-Uta. A Ko-Uta is translated as "little song" in Japanese. Unfamiliar to most Westerners, ko-uta are particularly in tune with the tradition of Japan's Edo-era merchants. Some ko-uta are aesthetic, many are earthy. Ko-uta are sung to the accompaniment of the shamisen—a traditional, three-stringed Japanese lute. Ko-uta come to life when they are sung, and the best example of where they live is in the geisha world. To help give some idea of the geisha world, this Japanese music book has provided a complete score of one song. Readers with some experience with haiku and other forms of Japanese poetry will find that ko-uta share many things with those forms. Yet, ko-uta retain their own unique interest, making this book a fascinating addition to any collection of Japanese literature or art.

Traditional Japanese ko-uta are the musical embodiment of the Japanese geisha in the intoxicating "flower and willow world." Literally, these are "little songs" sung by a geisha who accompanies herself on the 3-stringed shamisen. Liza Dalby, an American who is fully trained in the arts of the geisha, is a magnificent guide who brings alive the spirit of this delightful musical form. This book presents beautiful calligraphy and vivid translations of 25 ko-uta, to which Dalby adds lively explanatory notes illuminating the puns and Japanese literary devices which might otherwise elude the Western reader. She also provides an intro. on the geisha and ko-uta. Also provides traditional musical notations for the shamisen as well as in standard Western form.

Discusses the geisha--practioners of music and dance and unmarried companions to the Japanese male elite.

The author, an American anthropologist, describes her experiences during the year she spent as a Japanese geisha, and looks at the role of women, and geishas, in modern Japan

The last ten years have witnessed an enormous growth in American interest in Asia and Asian/American history. In particular, a set of key Asian historical moments have recently become the subject of intense American cultural scrutiny, namely China’s Cultural Revolution and its aftermath; the Korean American war and its legacy; the era of Japanese geisha culture and its subsequent decline; and China’s one-child policy and the rise of transracial, international adoption in its wake. Grice examines and accounts for this cultural and literary preoccupation, exploring the corresponding historical-political situations that have both circumscribed and enabled greater cultural and political contact between Asia and America.

Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The accompanying CD includes examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.