Liturgy And The Emotions In Byzantium

Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.

Byzantinists entered the study of emotion with Henry Maguire’s ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients’ concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion. This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality. Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.

This work examines the Byzantine liturgy. It encompasses the liturgy of the Great Church; a 12th-century diataxis in codex; paradigms in the formation of the Byzantine liturgical synthesis between Constantinople and Jerusalem; and the interpolation of the Sanctus into the anaphora.

In Hymns, Homilies and Hermeneutics the authors explore the sacred stories, affective scripts and salvific songs which were the literature of Byzantine liturgical communities and provide a window into lived Christianity in this period.

"The essays in Hymns, Homilies and Hermeneutics explore the literature of Byzantine liturgical communities and provide a window into lived Christianity in this period. The liturgical performance of Christian hymns and sermons creatively engaged the faithful in biblical exegesis, invited them to experience theology in song, and shaped their identity. These sacred stories, affective scripts and salvific songs were the literature of a liturgical community - hymns and sermons were heard, and in some cases sung, by lay and monastic Christians throughout the life of Byzantium. In the field of Byzantine studies there is a growing appreciation of the importance of liturgical texts for understanding the many facets of Byzantine Christianity: we are in the midst of a liturgical turn. This book is a timely contribution to the emerging scholarship, illuminating the intersection between liturgical hymns, homiletics and hermeneutics"--

This sharply honed and well-constructed work brings to the fore and explores the New Testament story regarding the woman who entered a house where Jesus was dining and anointed him with precious oil shortly before His Passion and Crucifixion. The author unveils the intricate nature of the tradition of the Church that gives the woman a voice and elucidates her backstory through its liturgical poetry, oratory, and other writings. Scholarly consideration is given to all these sources in addressing questions such as: Who was this woman? Where did she come from? How did she acquire the precious oil? How did she enter into the house of Simon uninvited? How did she perceive her own bold actions? The reader will learn that in the liturgical tradition of the Orthodox Church, as found in the hymnology of Holy Week, this sinful woman is shown to be an example of repentance and unconstrained love. The intricate nature of the hymns and homilies of the Orthodox Church give greater scope and application to the biblical record primarily in Greek and Syriac manuscripts, with particular attention given to the former texts, too often overshadowed by the latter. The author shares previously inaccessible texts of late antiquity such as homilies by Amphilochius of Iconium and Ephrem Graecus found here in English for the first time. This in-depth and readable study will engage those who encounter the story of the sinful woman in the living tradition of worship within the Orthodox Church, together with those who have encountered this story in Scripture, or in the course of their academic studies.

In obedience to Jesus' command, 'Do this in remembrance of me', the ritual repetition of the Lord's Supper down through the ages and across multiple Christian cultures in the liturgies of East and West, has given rise, inevitably, to innumerable diversities of shape, text, cultural context, and theological interpretation, as well as to debates, sometimes heated, among modern experts as to the methodologies for resolving the problems arising from these differences. The problems of cultural history, structural, historical, and textual reconstruction, theological interpretation, and method involved in the modern scholarly debate on these issues, are the object of the studies in this volume, dedicated to the liturgies of Byzantium, Armenia, Syria, and Palestine.

Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.