Live Performing Arts Labor Relations Amendments
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Live Performing Arts Labor Relations Amendments
Author | : United States. Congress. Senate. Committee on Labor and Human Resources |
Publsiher | : Unknown |
Total Pages | : 96 |
Release | : 1992 |
Genre | : Biography & Autobiography |
ISBN | : PSU:000019990538 |
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National Live Performing Arts Labor Relations Amendments
Author | : United States. Congress. Senate. Committee on Labor and Human Resources |
Publsiher | : Unknown |
Total Pages | : 18 |
Release | : 1992 |
Genre | : Collective bargaining |
ISBN | : OCLC:26873998 |
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Hearing on H R 226 the Live Performing Artists Labor Relations Act
Author | : United States. Congress. House. Committee on Education and Labor. Subcommittee on Labor-Management Relations |
Publsiher | : Unknown |
Total Pages | : 304 |
Release | : 1994 |
Genre | : Law |
ISBN | : UCR:31210014040073 |
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Performing Arts Labor Relations Amendments
Author | : United States. Congress. Senate. Committee on Labor and Human Resources. Subcommittee on Labor |
Publsiher | : Unknown |
Total Pages | : 172 |
Release | : 1988 |
Genre | : Entertainers |
ISBN | : PSU:000013399658 |
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Acknowledging the 100th Anniversary of the January 17 1893 Overthrow of the Kingdom of Hawaii and to Offer an Apology to Native Hawaiians on Behalf of the United States for the Overthrow of the Kingdom of Hawaii
Author | : United States. Congress. Senate. Select Committee on Indian Affairs |
Publsiher | : Unknown |
Total Pages | : 1636 |
Release | : 1994 |
Genre | : Hawaii |
ISBN | : STANFORD:36105011758401 |
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Beyond the Beat
Author | : Daniel B. Cornfield |
Publsiher | : Princeton University Press |
Total Pages | : 232 |
Release | : 2018-11-27 |
Genre | : Social Science |
ISBN | : 9780691183398 |
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At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists—those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism—the ways that artist peers strengthen and build diverse artist communities. Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists—including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers. Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large.
Hearing on Collective Bargaining at Private Educational Institutions and in the Performing Arts
Author | : United States. Congress. House. Committee on Education and Labor. Subcommittee on Labor-Management Relations |
Publsiher | : Unknown |
Total Pages | : 178 |
Release | : 1985 |
Genre | : Collective bargaining |
ISBN | : UCR:31210024922054 |
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Labor Relations Reporter
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 1628 |
Release | : 1988 |
Genre | : Arbitration, Industrial |
ISBN | : STANFORD:36105063220896 |
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