Livecasting In Twenty First Century British Theatre
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Livecasting in Twenty First Century British Theatre
Author | : Heidi Lucja Liedke |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 241 |
Release | : 2023-06-15 |
Genre | : Performing Arts |
ISBN | : 9781350340985 |
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This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form's future.
Livecasting in Twenty First Century British Theatre
Author | : Heidi Lucja Liedke |
Publsiher | : Methuen Drama |
Total Pages | : 0 |
Release | : 2023-07-13 |
Genre | : Performing Arts |
ISBN | : 9781350340961 |
Download Livecasting in Twenty First Century British Theatre Book in PDF, Epub and Kindle
This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form's future.
Livecasting in Twenty First Century British Theatre
Author | : Heidi Lucja Liedke |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 241 |
Release | : 2023-06-15 |
Genre | : Performing Arts |
ISBN | : 9781350340978 |
Download Livecasting in Twenty First Century British Theatre Book in PDF, Epub and Kindle
This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form's future.
Transmedia Practices in the Long Nineteenth Century
Author | : Christina Meyer,Monika Pietrzak-Franger |
Publsiher | : Routledge |
Total Pages | : 225 |
Release | : 2022-02-23 |
Genre | : Social Science |
ISBN | : 9781000542882 |
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This volume provides engaging accounts with transmedia practices in the long nineteenth century and offers model analyses of Victorian media (e.g., theater, advertising, books, games, newspapers) alongside the technological, economic, and cultural conditions under which they emerged in the Anglophone world. By exploring engagement tactics and forms of audience participation, the book affords insight into the role that social agents – e.g., individual authors, publishing houses, theatre show producers, lithograph companies, toy manufacturers, newspaper syndicates, or advertisers – played in the production, distribution, and consumption of Victorian media. It considers such examples as Sherlock Holmes, Kewpie Dolls, media forms and practices such as cut-outs, popular lectures, telephone conversations or early theater broadcasting, and such authors as Nellie Bly, Mark Twain, and Walter Besant, offering insight into the variety of transmedia practices present in the long nineteenth century. The book brings together methods and theories from comics studies, communication and media studies, English and American studies, narratology and more, and proposes fresh ways to think about transmediality. Though the target audiences are students, teachers, and scholars in the humanities, the book will also resonate with non-academic readers interested in how media contents are produced, disseminated, and consumed, and with what implications.
Shakespeare and the Digital World
Author | : Christie Carson,Peter Kirwan |
Publsiher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2014-06-12 |
Genre | : Business & Economics |
ISBN | : 9781107064362 |
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This collection brings the broad discussion about digital humanities into focus through Shakespeare in research, teaching, publishing and performance.
Theatre Audiences
Author | : Susan Bennett |
Publsiher | : Routledge |
Total Pages | : 268 |
Release | : 2013-09-13 |
Genre | : Performing Arts |
ISBN | : 9781136207242 |
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Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Shakespeare Spectatorship and the Technologies of Performance
Author | : Pascale Aebischer |
Publsiher | : Cambridge University Press |
Total Pages | : 259 |
Release | : 2020-04-30 |
Genre | : Drama |
ISBN | : 9781108420488 |
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Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
Our Cultural Sovereignty
Author | : Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage,Clifford Lincoln |
Publsiher | : Unknown |
Total Pages | : 904 |
Release | : 2003 |
Genre | : Broadcasting |
ISBN | : UIUC:30112060536635 |
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