Living Silence

Burma remains the odd man out in South East Asia. It is a military dictatorship, not part of the region's still-dynamic economy, and has a troubled relationship with the outside world, including that fact that it is the second largest supplier of heroin. This exceptionally readable account of Burma gives a graphic, often moving, and always insightful picture of what life under military rule is like for ordinary Burmese. This survey takes in a wide diversity of ordinary people and communities.

Purpose in Silence is a collection of poetry and devotional writings of two young men who are nonverbal, yet have a voice through their writings. Motor impairment and clubfeet have caused much frustration and pain in their young lives, but through these experiences, the Lord has given them a deep understanding of his purpose for them and an ability to encourage others passing through trials. Faith in the Lord Jesus Christ is where their strength is found, and it is the basis for much of their poetry. It is their heartfelt desire that their writings will bring honor to their Savior and a blessing to all those who read their words.

This is a book on the practice of silent meditation and its transforming power. The brief poetic texts are thematically grouped to address the various aspects of the meditation practice, such as the nature of silence, the importance of the present moment, obstacles the practitioner may encounter, and the integration into our everyday lives of the new insights the practice can give us. Silent meditation is the practice of letting go and allowing the silence to be heard and take hold. The reader catches glimpses of how practitioners of silent meditation become aware, little by little, of 'feeling connected with everything in a unique way', of being at one with all, and finding their lives gradually transformed. Silvia Ostertag’s texts are based on talks she gave to the hundreds of students who 'sat' with her. Sometimes humorous, sometimes sharply critical, through each one we feel her hope that we reach an awareness of the pure silence and the deep sense of oneness that is present in every human being who becomes conscious that the 'here' and 'now' – this very moment, this very place – is all that there is.

Eight years after the first edition of this insightful and highly regarded book, Burma remains one of the most troubled nations in Southeast Asia. While other countries have democratized and prospered, Burma is governed by a repressive military dictatorship and is the second largest producer of heroin in the world. In this exceptionally readable yet scholarly account of Burma today, Christina Fink gives a moving and insightful picture of what life under military rule is like. Through the extensive interviews conducted inside and outside the country, we begin to understand Burma's political and domestic situation and a comprehensive understanding of why military rule has lasted so long. This significantly revised new edition includes material taking the reader up to present day action and accounts, including the impacts of the dramatic 2007 monks' demonstrations, which were coordinated with former student activists and members of Aung San Suu Kyi's party. The book explores the regime's continued attempts to weaken and divide the democratic movement and the ethnic nationalist organizations and explains how the democratic movement and ethnic groups have sought to achieve their goals; in part, by working more closely together.

The Silence Living in Houses unlocks the doors to houses of secrets and dreams where ghosts of the past are more real than the living. In unsettling poems rich with intrigue, Esther Morgan traces the presence of those whose stories are fading like the wallpaper: the servant girl who smashed the dinner service and disappeared; the sisters whose macabre end is still spoken of in whispers; the mistress who breathes sweet nothings from behind the roses. At the heart of the book is the darkest of interiors where the threat and practice of violence forges a bond as unbreakable as the Mafia's code. But not all these houses are unsafe: the final poems summon up the haunted blood of family, revealing how what remains unspoken is as much concerned with love as it is with loss.

In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through time and space to the distant past, the infinite future and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.

Drawing on philosophy, theology, and literature, from the early Middle Ages to the present, Immemorial Silence traces a series of intertwined ideas. Exploring silence as the absence of language, which is nonetheless inherent in language itself, and eternity as the outside of time, cutting through time itself, the book unfolds a series of connections between these temporal and linguistic themes.