Living With Apocalypse

Can social theories forge new paths into an uncertain future? The future has become increasingly difficult to imagine. We might be able to predict a few events, but imagining how looming disasters will coincide is simultaneously necessary and impossible. Drawing on speculative fiction and social theory, Theory for the World to Come is the beginning of a conversation about theories that move beyond nihilistic conceptions of the capitalism-caused Anthropocene and toward generative bodies of thought that provoke creative ways of thinking about the world ahead. Matthew J. Wolf-Meyer draws on such authors as Kim Stanley Robinson and Octavia Butler, and engages with afrofuturism, indigenous speculative fiction, and films from the 1970s and ’80s to help think differently about the future and its possibilities. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

In Living with the Living Dead, Greg Garrett shows that the zombie apocalypse has become an archetypal narrative for the contemporary world, in part because zombies can represent a variety of global threats, from terrorism to Ebola, from economic uncertainty to mental illness. But paradoxically this narrative also offers human beings a chance to find emotional and spiritual comfort; these apocalyptic stories about individuals facing the imminent prospect of grisly death also offer us wisdom about living in community, present us with real-world ethical problems, and invite us into a conversation.

NOW A MAJOR TV SERIES Finalist for CBC Canada Reads 2023 Winner of the Toronto Book Award and the Arthur C. Clarke Award Finalist for the National Book Award, the PEN/Faulkner Award, and the Sunburst Award Longlisted for the Baileys Prize and for the Andrew Carnegie Medal for Excellence in Fiction A New York Times and Globe and Mail bestseller A Best Book of the Year in The Globe and Mail, The Washington Post, Entertainment Weekly, Kirkus Reviews, and Time magazine An audacious, darkly glittering novel about art, fame and ambition, set in the eerie days of civilization’s collapse Day One The Georgia Flu explodes over the surface of the earth like a neutron bomb. News reports put the mortality rate at over 99%. Week Two Civilization has crumbled. Year Twenty A band of actors and musicians, called the Travelling Symphony, move through the territories of a changed world, performing concerts and Shakespeare at the settlements that have formed. Twenty years after the pandemic, life feels relatively safe. But now a new danger looms, and it threatens the world every hopeful survivor has tried to rebuild. Moving backward and forward in time, from the glittering years just before the collapse to the strange and altered world that exists twenty years after, Station Eleven charts the unexpected twists of fate that connect six people: celebrated actor Arthur Leander; Jeevan, a bystander warned about the flu just in time; Arthur's first wife, Miranda; Arthur's oldest friend, Clark; Kirsten, an actress with the Travelling Symphony; and the mysterious and self-proclaimed "prophet." Sometimes terrifying, sometimes tender, Station Eleven tells a story about the fragility of life, the relationships that sustain us, and the beauty of the world as we know it.

We can't just be done with religion, argues David Dark. The fact of religion is the fact of us. Religion is the witness of everything we're up to--for better or worse. David Dark is one of today's most respected thinkers, public intellectuals, and cultural critics at the intersection of faith and culture. Since its original release, Dark's Life's Too Short to Pretend You're Not Religious has become essential reading for those engaged in the conversation on religion in contemporary American society. Now, Dark returns to his classic text and offers us a revised, expanded, and reframed edition that reflects a more expansive understanding, employs inclusive language, and tackles the most pressing issues of the day. With the same keen powers of cultural observation, candor, and wit his readers have come to know and love, Dark weaves in current themes around the pandemic and vaccine responses, Black Lives Matter, the #MeToo and #ChurchToo movements, Critical Race Theory, and more. By looking intentionally at our weird religious background (we all have one), he helps us acknowledge the content of our everyday existence--the good, the bad, and the glaringly inconsistent. When we make peace with the idea of being religious, we can more practically envision an undivided life.

For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.

Depictions of the zombie apocalypse continue to reshape our concept of the walking dead (and of ourselves). The undead mirror cultural fears--governmental control, lawlessness, even interpersonal relationships--exposing our weaknesses and demanding a response (or safeguard), even as we imagine ever more horrifying versions of post-apocalyptic life. This critical study traces a shift in narrative focus in portrayals of the zombie apocalypse, as the living move from surviving hypothetical destruction toward reintegration and learning to live with the undead.

Featuring 30 chilling stories of reallife zombie encounters, this comprehensive and unsettling study draws upon traditions found throughout the world to dispel common depictions of zombies as lurching, flesheating automatons made popular by countless movies and books. This fascinating collection includes the stories of the Devil Baby of Bourbon Street, a monstrous creature complete with horns and tail that still lurks in the shadows of the Big Easy; Black Mama Courteaux and the great zombie war, involving hundreds of zombie soldiers battling for the supremacy of their queen; and the swamp child of Mama Cree, who still roams the bayous of Louisiana. In addition to the stories, a variety of zombierelated facts are explored, including ceremonies and initiations, zombies throughout history, sacred zombie and voodoorelated sites, and zombies and monsters of the Bible.

I guess I always felt even if the world came to an end, McDonald's still would be open. High school sophomore Miranda's disbelief turns to fear in a split second when an asteroid knocks the moon closer to Earth, like "one marble hits another." The result is catastrophic. How can her family prepare for the future when worldwide tsunamis are wiping out the coasts, earthquakes are rocking the continents, and volcanic ash is blocking out the sun? As August turns dark and wintery in northeastern Pennsylvania, Miranda, her two brothers, and their mother retreat to the unexpected safe haven of their sunroom, where they subsist on stockpiled food and limited water in the warmth of a wood-burning stove. Told in a year's worth of journal entries, this heart-pounding story chronicles Miranda's struggle to hold on to the most important resource of all--hope--in an increasingly desperate and unfamiliar world. An extraordinary series debut Susan Beth Pfeffer has written several companion novels to Life As We Knew It, including The Dead and the Gone, This World We Live In, and The Shade of the Moon.