Lobo Rag And Vixen And Pictures

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

“Lobo, Rag, and Vixen and Pictures” is a 1899 collection of short animals stories by Ernest Seton. The four stories concern the adventures of four different animals: Lobo, a wolf; a partridge called Redruff; Raggylug, a Rabbit, and Vixen the fox. These charming and exciting tales will appeal to lovers of animal fiction and would make for perfect bedtime reading. Ernest Thompson Seton (1860 – 1946) was an English author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America (BSA), established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including “The Birch Bark Roll” and the “Boy Scout Handbook”. Seton was also an early pioneer of animal fiction writing, and he is fondly remembered for his charming book “Wild Animals I Have Known” (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition. Excerpt: ... REDRUFF THB STORY OF THE DON VALLEY PARTRIDGE I T"V OWN the wooded slope of Taylor's Hill the Mother Partridge led her brood, down toward the crystal brook that by some strange whim was called Mud Creek. Her little ones were one day old but already quick on foot, and she was taking them for the first time to drink. She walked slowly, crouching low as she went, for the woods were full of enemies. She was uttering a soft little cluck in her throat, a call to the little balls of mottled down that on their tiny pink legs came toddling after, and peeping softly and plaintively if left even * few inches behind, and seeming so fragile they made the very chicadees look big and coarse. There were twelve of them, but Mother Grouse watched them all, and she watched every bush and tree and thicket, and the -"holf woods and the sky itself. Always for enemies she. arsOncttl seeking--friends were too scarce to bt looked for--and an enemy she found. Away across the level beaver meadow was a great brute of a fox. He was coming their way, and in a few moments would surely wind them or strike their trail. There was no time to lose. 'Krrr! Krrr/' (Hidel Hide!) cried the mother in a low, firm voice, and the little bits of things, scarcely bigger than acorns and but a day old, scattered far (a few inches) apart to hide. One dived under a leaf, another between two roots, a third crawled into a curl of birchbark, a fourth into a hole, and so on, till all were hidden but one who could find no cover, so squatted on a broad yellow chip aad lay very flat, and closed his eyes very tight, sure that now he was safe from being seen. They ceased their frightened peeping and all was still. Mother Partridge flew straight toward the dreaded beast, alighted fearlessly a few...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.