London Pride And London Shame

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What role does emotion play in child and family social work practice? In this book, researcher Matthew Gibson reviews the role of shame and pride in social work, providing invaluable new insights from the first study undertaken into the role of these emotions within professional practice. The author demonstrates how these emotions, which are embedded within the very structures of society but experienced as individual phenomena, are used as mechanism of control in relation to both professionals themselves and service users. Examining the implications of these emotional experiences in the context of professional practice and the relationship between the individual, the family and the state, the book calls for a more humane form of practice, rooted in more informed policies that take in to consideration the realities and frailties of the human experience.

The Englishwoman’s Review, which published from 1866 to 1910, participated in and recorded a great change in the range of possibilities open to women. The ideal of the magazine was the idea of the emerging emancipated middle-class woman: economic independence from men, choice of occupation, participation in the male enterprises of commerce and government, access to higher education, admittance to the male professions, particularly medicine, and, of course, the power of suffrage equal to that of men. First published in 1985, this fortieth volume contains issues from 1909 to 1910. With an informative introduction by Janet Horowitz Murray and Myra Stark, and an index compiled by Anna Clark, this set is an invaluable resource to those studying nineteenth and early twentieth-century feminism and the women’s movement in Britain.

An allegorical morality comedy about criminality and the rivalries between London, Lincoln and Spain. This play is an exercise by a young dramatist who is grappling with understanding philosophical and legal concepts by simplifying these into personifications. Three Lords of London (called Pleasure, Pomp and Policy) declare their superiority with puffing emblems and insist that they have an innate right to marry the three Ladies of London (Love, Lucre and Conscience). The Ladies have been imprisoned in the first part of this series (Three Ladies of London) for their sins, and Nemo has decided that he would only release them if precisely three suitors bid for all of their hands in marriage simultaneously. The Ladies are told to remain silent and to obey whoever is willing to marry them, or they would have to return to prison to be tortured by Sorrow. Thus, instead of the standard comedic objections from female characters to potential matches, the only obstacles to this pre-determined resolution are that the three Lords of Spain and the three Lords of Lincoln appear to also bid for the Ladies. The defeat of the Spaniards is presented in an exchange of insults about emblems and epithets during a meeting that alludes to the Spanish Armada attack. And the Lords of Lincoln are briskly defeated when they are told they merely deserve the symbolic stones the Ladies have been sitting on. The introductory remarks explain how Lords should be part of the main canon because it might be one of only three pre-“Shakespearean” British comedies. And a section presents an alternative explanation for the mystery of how the seven copies of Lords’ print-run ended up with strange combinations of varying typos. The annotations explain how the detail of Usury’s parents being Jewish has been misinterpreted by previous critics as anti-Semitic, when this passage actually summarizes the ethnic backgrounds of the actual members of the Ghostwriting Workshop, as the merchant-lender among them Sylvester was Jewish, and Percy was from a region near-Scotland and had been educated in France. And evidence is presented why the series that includes Lords and Ladies should be re-attributed away from “Robert Wilson” and to Percy. “Enhanced for academia with the inclusion of a 6 page listing of Acronyms, a 1 page Summary, a 23 page Exordium, 21 pages of Plot and Staging, a 104 page Text, and and 5 pages of Terms, References, Questions, and Exercises, The Three Lords and Three Ladies of London is Volume 10 of that Anaphora Literary Press British Renaissance Re-Attribution and Modernization series. A unique and unreservedly recommended addition to community, college, and university library Shakespeare, British, and Irish drama collections”. —Midwest Book Review, James Cox, The Theatre/Cinema Shelf Exordium Plot and Staging Text Terms, References, Questions, Exercises

The Englishwoman’s Review, which published from 1866 to 1910, participated in and recorded a great change in the range of possibilities open to women. The ideal of the magazine was the idea of the emerging emancipated middle-class woman: economic independence from men, choice of occupation, participation in the male enterprises of commerce and government, access to higher education, admittance to the male professions, particularly medicine, and, of course, the power of suffrage equal to that of men. First published in 1985, this final volume contains the index, which was compiled from the Table of Contents which appeared at the front of the yearly volumes. Along with the informative introduction, the index is a helpful tool for those studying the vast quantity of original material collected in the set, making it an invaluable resource to those studying nineteenth and early twentieth-century feminism and the women’s movement in Britain.