Lonesome Words

The tenth-century Old English lament and twentieth-century blues song each speak the language of a distinct poetic tradition, yet the voices are remarkably similar in their emotive expression of loneliness. This innovative study juxtaposes the texts of each corpus to explore the features that characterize their vocal poetics

This book presents an intricate, interdisciplinary evaluation of loneliness that examines the relation of consciousness to loneliness. It views loneliness from the inside as a universal human condition rather than attempting to explain it away as an aberration, a mental disorder, or a temporary state to be addressed by superficial therapy and psychiatric medication. Loneliness is much more than just feeling sad or isolated. It is the ultimate ground source of unhappiness—the underlying reality of all negative human behavior that manifests as anxiety, depression, envy, guilt, hostility, or shame. It underlies aggression, domestic violence, murder, PTSD, suicide, and other serious issues. This book explains why the drive to avoid loneliness and secure intimacy is the most powerful psychological need in all human beings; documents how human beings gravitate between two motivational poles: loneliness and intimacy; and advocates for an understanding of loneliness through the principles of idealism, rationalism, and insight. Readers will understand the underlying theory of consciousness that explains why people are lonely, thereby becoming better equipped to recognize sources of loneliness in themselves as well as others. Written by a licensed social worker and former mental health therapist, the book documents why whenever individuals or groups feel lonely, alienated, estranged, disenfranchised, or rejected, they will either withdraw within and shut down, or they will attack others with little thought of consequence to either themselves or others. Perhaps most importantly, the work identifies the antidotes to loneliness as achieving a sense of belonging, togetherness, and intimacy through empathic emotional attachments, which come from a mutual sharing of "lived experiences" such as feelings, meanings, and values; constant positive communication; and equal decision making.

'There is another loneliness', wrote the American poet Emily Dickinson: 'Not want of friend occasions it, but nature sometimes, sometimes thought'. For Kevin Lewis, that 'other loneliness' is uniquely expressive of a rich and resonant state of being that is distinctive to the American psyche as well as central to the mythology of America itself. He calls this state of being 'lonesomeness'. It evokes the luminous landscapes of the West and the cathedral-like space of the Great Plains. It lies at the root of personal identity and is inseparable from notions of personal discovery and of communion with the varied topography of the United States, whether it be rural hinterland or industrial urban rustbelt.In this continuously stimulating reflection, Kevin Lewis explores - in religion, poetry, fiction, country songwriting and art - the multiple meanings of that peculiarly American notion of solitariness. Discussing quintessential American writers like Henry David Thoreau, Walt Whitman, Jack Kerouac and Ernest Hemingway - creative artists who have all embraced positive conceptions of solitude and wilderness - Lewis finds the apex of American lonesomeness in the melancholic and reflective paintings of Edward Hopper. Lewis argues that in expressive works like "Nighthawks" and "Morning Sun" one sees Hopper's solitude redeemed by 'something more': by the notion that in isolation the individual may yet be touched by transcendence. Kevin Lewis argues that those echoes of 'something else' reveal a great deal about the American character that we would do well to heed, as well as deep rooted cultural attitudes towards religion, individualism and self-belief.