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Reproduction of the original: The Mystery of Francis Bacon by William T. Smedley

THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.

A bold and brilliant short work by the author of Grief is the Thing with Feathers and Lanny.Madrid. Unfinished.Man Dying.A great painter lies on his deathbed.Max Porter translates into seven extraordinary written pictures the explosive final workings of the artist's mind.

The statesman, scientist, and philosopher Francis Bacon (1561-1626) lived a divided life. Was he a noble scholar, or a conniving political crook? Was he a homosexual? Lisa Jardine and Alan Stewart draw upon previously untapped sources to create a controversial nuanced portrait of the quintessential "Renaissance man", one whose achievements, while enormous, were nonetheless sadly circumscribed by his class and station.

Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.

For years, a popular debate has been raging about whether Shakespeare was really the author of the many plays and poems published under his name. Doubters argue that Shakespeare could not have accomplished such a great feat, pointing instead to other well-known figures. Richard Ramsbotham offers a completely different perspective by reexamining the available evidence and by introducing unexplored aspects of Rudolf Steiner's spiritual-scientific research. The author discusses Shakespeare's life as an actor, mysteries of the debate such as the enigmatic Psalm 46, and the persistent question of Francis Bacon's connection with Shakespeare. Recently, a movement has been gaining ground that sees Bacon himself as the covert writer of the great works attributed to Shakespeare. Not content with this radical claim, that movement also wishes to place Bacon on the primary pedestal of British civilization, as a kind of patron saint of the modern scientific age. The author provides substantial confirmation of a definite connection between Shakespeare and Bacon, but one that radically challenges the conclusions of the Baconian movement. The author also opens remarkable new perspectives on King James I and his connections not only with Shakespeare and Bacon but also with Jakob Böhme, Rudolf II, Rosicrucianism, Freemasonry, and the original Globe Theatre. Published 400 years after the Hampton Court Conference of 1604, Who Wrote Bacon? offers a timely contribution to these themes, and shows how they remain critically important to our understanding of the twenty-first century. Includes eight pages of B/W plates.

Published in 1996, Francis Bacon: Anatomy of an Enigma was the first in-depth study of the artist's life. It has not been superseded. In this substantially revised, updated edition - to coincide with the artist's centenary, which will be celebrated from autumn 2008 through summer 2009 - Peppiatt will incorporate confidential material Bacon gave him, which he did not include in the first edition. This valuable, first-hand information comes from the hundreds of conversations Bacon had with Peppiatt, often late into the night, over thirty years, particularly during the periods Bacon spent living and working in Paris. It includes insights into Bacon's intimate relationships, his artistic convictions and his general view of life, as well as his acerbic comments on his contemporaries. Peppiatt will draw on some of the fascinating information that has become available in the fifteen years since the artist died. Once jealously guarded by the artist himself, the contents of Bacon's studio can now be freely consulted; Peppiatt has had privileged access to these archives, and he will show how a number of recent discoveries - including wholly unexpected source material - have radically changed the way we look at Bacon's work. Similarly, his recent research into the artist's background - his tortured affair with the sadistic Peter Lacy in Tangier, for instance, and the baffling circumstances of his death in Madrid - will shed light on unexplored areas of Bacon's life and work. Peppiatt will also unveil new information from several people who knew Bacon intimately and who have never gone on record previously.