Lost Nation

The acclaimed author’s “mesmerizing tale” of a young man and woman who struggle to survive in the remote, disputed territory of 19th-century New Hampshire (Kirkus Reviews, starred review). With an oxcart full of rum, a man known as Blood travels through the wild country of New England toward an ungoverned territory called the Indian Stream—a land where the luckless or outlawed can make a fresh start. Blood is a man of contradictions, of learning and wisdom, but also a man with a secret past that has scorched his soul. Intending to establish himself as a prosperous trader, he brings with him Sally, a sixteen-year-old girl he won from her mother in a game of cards. Blood and Sally’s arrival in the Indian Stream triggers an escalating series of clashes that soon destroy the master/servant bond between them, offering both a second chance with life. But as the conflicts within the community attract the attention of outside authorities, Blood becomes a target for those in need of a scapegoat, forcing him to confront dreaded apparitions from his past, while Sally is offered a final escape. “In intensely charged prose very reminiscent of Faulkner’s,” Lost Nation delves beneath the bright, promising veneer of early-nineteenth-century New England to reveal a startling, violent parable of individualism and nationhood (Kirkus Reviews, starred review). “A rousing tale that will surely please the readers of his first, bestselling novel, In the Fall.” —Publishers Weekly “Jeffrey Lent has quietly created some of the finest novels of our new century.” —Ron Rash “Sentence by sentence rural New England comes alive, and Lent’s language draws you in like a clear stream in summer.” —Tim Gautreaux

"Extraordinarily compelling. The Quest for the Lost Nation is a model for comparative history-and should serve as an incentive for a new generation to do more of this kind of work."--Michael Geyer, University of Chicago.

Named a Most Anticipated Book by Barnes and Noble ∙ BuzzFeed ∙ GoodReads ∙ Book Riot ∙ CrimeReads ∙ Ms. Magazine ∙ SheReads ∙ Amazon Editor's Pick ∙ Tor.com ∙ and more! A young Native girl's hunt for answers about the women mysteriously disappearing from her tribe's reservation leads her to delve into the myths and stories of her people, all while being haunted herself, in this atmospheric and stunningly poignant debut. Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez, desperately searching for the key she’s sure lies in the legends of her tribe’s past. When Anna’s own little sister also disappears, she’ll do anything to bring Grace home. But the demons plaguing the reservation—both ancient and new—are strong, and sometimes, it’s the stories that never get told that are the most important. Part gripping thriller and part mythological horror, author Nick Medina spins an incisive and timely novel of life as an outcast, the cost of forgetting tradition, and the courage it takes to become who you were always meant to be.

At a time when the world, Europe especially, is once more threatened by murderous conflicts between groups of people claiming ethnic and national identity as a basis for sovereignty over specific territories, it is timely to consider the part that literature has played and is playing in the creation of ethnic and national stereotypes. What role do such stereotypes have in literature? How are they created? From what materials are they constructed? What purpose do ethnic and national stereotypes serve? Can it ever be a useful one? Are they avoidable? Can we live without them? What can be done about the deleterious effects they may be thought to produce? Stereotyping is worldwide -- is there a tribe, race and nation in existence which escapes being stereotyped by its neighbours? In what sense are these stereotypes accurate? How are these stereotypes reflected in and reinforced by literature? Should and can literature do anything about them? In Beyond Pug's Tour: National and Ethnic Stereotyping in Theory and Literary Practice, literary scholars, as well as academics engaged in sociological and psychological research, consider these and other questions by examining the work of specific authors and the circumstances in which stereotyping plays such a crucial part.

In 1948, a boy is sent by his widowed father to live on his grandparents' farm in Vermont. He records his memories, describing the rural lifestyle of a bygone era. Lots of pastoral images, rugged individualism and unforgettable characters. By the author of A Stranger in the Kingdom.